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发表于 2006-9-16 22:39
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Tuesday, September 12, 2006
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4 K7 [ E$ N: h3 `1 F0 T% QActress takes off mask in 'Woman on the Beach'
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Director Kim Jong-hak of Korea's cherished drama "Hourglass (1995)" said that she was a "destructive actress who can overturn the whole scene with a blink of her eyes," while author Song Ji-na said that as an actress, she was a femme fatale with deceiving naivety. But to us, actress Goh Hyeon-jung was - more than anything - a golden girl who captured the heart of a young millionaire.
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Of course, we had all known that Goh was a fine actress. But the title no longer suited this former beauty pageant winner when she suddenly married Shinsegae vice president Jung Yong-jin just after receiving a standing ovation for her fantastic acting in "Hourglass."
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In a stunning yet delicate high-necked gown, Goh had walked down the aisle and looked as though she would never return to the public eye. Then, after a decade of silence, she suddenly wanted to be an actress again. . W7 C- R- d+ n8 p8 w
6 D6 f. c+ W1 [0 W& b0 _$ CEarning beauty, fame and money at the age of 24, and going through a messy divorce after her eight-year marriage broke down, Goh's comeback was a juicy source of gossip for middle-aged women at beauty salons. Despite the success of drama "Spring Days" last year, rumors never seemed to die down. * U- c0 ]/ Z( o; T, ~
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Naturally, when this 35-year-old actress chose Korea's "naughtiest" filmmaker Hong Sang-soo's seventh movie "Woman on the Beach" as her next project, people focused on how much of her nude body would be seen. V9 G$ i) V3 {# @
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As a little spoiler, the only nudity audiences will get to see in the movie is Goh's bare hands and ankles - but she still makes it worth seeing.
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"Woman on the Beach" is probably director Hong's easiest, funniest, jolliest movie which still covers the most "Hong-like" subsequences in a familiar format. As another one of Hong's gloomy romances, the movie revolves around a young filmmaker - Hong's alter ego - and the two women he meets. ; t4 ~1 }3 P1 |* d
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But amid the familiar - and thus, often boring - format, unexpected laughter is generated from the character of Kim Mun-suk, played by Goh.
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Goh is still as beautiful as ever in the movie - but only if you find women with puffy eyes, a swollen face and tangled hair attractive. In the movie, Goh is neither serene nor elegant. She is too dumb, too easy, too pushy and most of all - way too ordinary.
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+ n; M8 B5 ]6 M+ QWatching Goh's elegant mouth swearing, and asking, "Isn't my face too big? I wish I could just cut it off," without a trace of a smile, one can see that her exhausting life experience has made her a mature actress.
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. L/ ~4 C1 q5 ~- a- k+ x QGoh may no longer be the dazzling beauty she was in "Hourglass," but through personal experience, she seems to have achieved a certain depth in acting - something that goes beyond inborn talent. " S+ Z# Z- l' {6 ^
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"Unconsciously, I was looking for works that gave me a certain 'tingle.' I realized that I was looking for roles that portrayed my own thoughts and past experiences in them," Goh had said at the preview of her first movie.
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1 t j; [; ]% W4 P9 S9 p6 J5 @The character Mun-suk is a product of endless conversations between director Hong and Goh.
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% j% W1 z$ l& j4 \As widely known, Hong does not use prepared scripts. Heading off to a destination empty-handed, Hong writes one or two pages of lines on the spot and hands them out on the day of shooting. 8 }' O6 q h" H7 y" l3 @- T( w
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"I usually create 50 percent of a character in advance and fill the rest up along the way. Goh was an actress who was ready to blend in with anything. She was amazing," Hong had said, explaining how he and Goh had created Mun-suk together. - ]9 L$ i* m( b+ Y# [3 v
! ~. E' w0 c$ h' p8 zWith Goh, Hong could come up with a more understandable woman character. In his previous movies, woman characters had been somewhat vague and passive but Mun-suk is neither. # S2 Q- u7 A% Z4 u* a
0 @( N/ x$ @% mAfter finding out that her lover Jeong-rae (Kim Seung-woo) is sleeping with another woman, she tries to break down his door screaming at the top of her lungs. At her defeat, she drinks, cries, shouts and swears just like an "ordinary" woman.
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) `6 A: C0 @. s: a+ j/ w! oWhen Jeong-rae tries to cover up his infidelity with a ridiculous philosophy of images and essence - how certain "wrong" images can get in the way of seeing the person's essence - Mun-suk gives him a sardonic smile and says, "That's bullshit."
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' \/ l( M- ^5 F" y0 d. j8 q% ITo audiences who are used to Goh's image, Mun-suk is a shocking character - and even more so after hearing that the Goh projected a lot of herself into the role.
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But come to think of it, it wasn't Goh who built up her current image. Even in her past TV dramas "Hourglass," "Mother's Sea" and "Fearless Love," Goh had always been an outspoken woman who didn't hesitate to slap an arrogant guy's face and spit on the ground to mock the world. The audiences were mostly on their own forming such prejudiced views of her.
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With help from director Hong, this passionate - yet surprisingly ordinary - actress has finally peeled off her mask of dazzling beauty and a flashy marriage that had clung to her for so long. Pleased to meet you, the "real" Goh Hyeon-jung.
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By Shin Hae-in
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2006年9月12日 ; B9 k7 M: r* ]
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《海边的女人》中除掉面具的女演员
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在1995年，执导电视剧《沙漏》的金锺学导演曾经这样形容她：就算只是一个镜头，眨一下眼睛，也是极具破坏力的女演员。而名编剧作家宋吉娜表示，她是一个成熟女人和天真女孩的混合体。 0 s4 A) h3 d i+ b9 O
9 q1 V b' `+ L而高贤廷对於韩国观众来说，她是一个24岁的“黄金女孩”，抓住了一名年轻百万富翁的心，嫁入了豪门，但确定的是，每个人都知道高贤廷是一个好演员。
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/ Z0 h1 s; c1 c9 K5 F6 a在结婚之後，高贤廷几乎过著与世隔绝的时光，从此消失在大众的眼前。在度过了漫长的空白期之後，她忽然重新归来要做回演员。 & \. [2 w3 Q7 l8 K: X7 z0 X: j
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历经辉煌期、结婚生子、离婚这段过程，虽然已经年届34岁，高贤廷还是众人眼中的殿堂美人。但她藉著电视剧《春日》成功复出之後，各式的传言却没有就此平息。 " b6 ~3 R# t/ Z) w
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尤其当她宣布将演出由裸露美学电影导演洪尚秀的作品《海边的女人》时，大家更以放大的视线盯著她，在想：有机会在银幕上看到高贤廷的裸体吗？ X$ c4 _6 O' A: P3 u
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再洩露一点点，除了高贤廷的裸足和手臂之外，这一部电影看不到一点裸体的画面。但高贤廷的演技还是让这部电影有充份的观赏价值。
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《海边的女人》就是典型"洪式电影"，日常、沉闷，带有讽刺性的幽默笑点。但这次有了爆发力笑点的来源-- $ s# u& A( z1 M
高贤廷饰演的金文淑。 8 v. }( X% }% n! g) m; w" ]
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电影中的高贤廷一样美丽，但如果你想像有星星一般的眼睛、漂亮精致的脸孔及如云的长发--对不起，不是这个形象，文淑就是原始随性的，甚至有太不修边幅的粗鄙。 # @2 x: j4 ?: X$ p( c# g/ o
6 ]9 A# L) C! ^看著高贤廷美丽优雅的嘴里吐出：“我的脸孔看起来是不是很大？我真想把它切下来。”这类似的话，说这句话的金文淑没有笑，但观看的人却笑翻了。啊~生活教会了高贤廷自然细致的演出，让她成为更成熟的演员。 2 `& r6 P( O+ b9 a& q6 b
7 b0 B( r# R) H% R$ V, ?3 E& H就算是在《沙漏》，高贤廷也不会是最美的女演员，但她是天生的演员，好像演技已经成为她身体的一部份。
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/ ~& `# C4 K8 [2 v“我常常观察旁人的举动，然後找到那个机扣，再运用在自己的演出上，这个是我演戏的代入感。”高贤廷在接受记者询问时曾经这样说。 % ?5 T4 b3 ~7 d7 [' t" y
$ C& u O/ v" c; l- U其实“文淑”这个角色是洪尚秀与高贤廷合力创作的，这是他们经过研讨对谈之後所塑造的人物。因为大家都知道，洪尚秀拍戏没有剧本，一切都靠临场发挥。 * M0 W' o) j/ H- z3 [. _) B6 a
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“我拍电影５０％是靠自己创作，５０％是靠演员自己领悟发挥，高贤廷真是一个奇才，她一下子可以把角色所有的感觉都铸造成形，然後连我看不到的细微处也一样找到。” 5 q* v* P* w& ?2 A0 `/ J$ V
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在高贤廷的演出中，几乎已经完全颠覆了洪尚秀电影中一贯温顺柔和的女性形象。明显的例子是文淑在知道中来（金胜友饰演）与别的女人睡觉时，喝醉酒後跑到旅店的门口大力敲门：开门！你这个死家伙！并且一边激动哭泣、咒骂、然後瘫倒在地，就像一般爱恨分明的女性。 % V- } ^ J4 k! g3 T* A
/ N! f( J! V) _当中来尝试要挽回他们的关系，展开伪善的讨好时，文淑带点温和、神经质又尖屑的冷笑回应他：X你狗屁！
3 R( J# w7 S5 C8 _4 e很多看完电影的观众都说，文淑是一个令人太吃惊的角色，因为这和高贤廷一贯的优雅形象太大庭相径了。 ; a+ @4 w/ R' F( c& W1 a' n
& [; `" Y0 u% Z& C但其实这并不惊奇，只要仔细看过高贤廷过去塑造的角色，从电视剧《沙漏》、《妈妈的海洋》和《毫无畏惧的爱》她一向是坦率直白的女性形象，在看不过眼时会毫不在乎就一把掌打过去，吐口水表示对於这个世界的轻蔑。 # K& J9 J* d" \( x' O0 M
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这次藉著洪尚秀，把她的本质再度挖掘了出来，除了让她除掉了“美丽”的肤浅外衣，也脱离了长久以来捆绑著她的不幸婚姻。
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2 z# i! b" C/ d: R- K$ ]# f真的很高兴见到你，“真实”的高贤廷！ ! z" a3 Q$ d/ L- ]+ \
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评论：申海寅 ; f4 T O( ~; `8 M3 K# o- z
The Korea Times
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原文出处：http://www.koreaherald.co.kr/SIT ... 13/200609130118.asp
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发表于 2006-9-16 17:17
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