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\呵呵。。所以你終於了解了殺人的回憶。為何是我很喜歡的2003電影。
朴海日。。讓偶在看菊花香時。總有感覺他會是個變態狂。。呵呵因為我是先看殺人回憶先。。反而對他的嫉妒是我的力量。。沒有什麼特別感覺。。。
the acting of the cast ..is of such high standard ..the best is no one stood out ..everyone play their role .Song and Kim ..and the rest of the cast ....and that is the reason why ..it become such a memorable movie ....
(PS if you all are interested ..should watch the director other movie .Barking dogs . - i like that one .too )
the photography was excellent ..it caputure the the beauty of the rural of korea village ..the sound and music was awesome to suit the mood of each scene ..the fear ...the humour ..the sorrow ...and the sadness ..the panic ..the unknown ..so much ..to tell and they did it so well ...........
why the little child keep saying the appearance of the killer was normal ..i think it is to bring across that such brutual murderer .can be anyone ..maybe someone they know ...the person is just an ordinary person ..but due to so many factors ..they are unable to revenge the death of so many women ..the technique they have was not able to help them solve the issue and the polictical unrest that period of time ..everyone has their own agenda ..the death of innocent village woman was not on their top priority ..
the following is from the english website of memories of muderer..which i read before i watch the moive ..and i was nearly so touched that it make me cry
from http://www.cjent.co.kr
To the detectives who carry an unresolved knot in their hearts¡¦
It has been days since I've been home.
I am beginning to forget the faces of my wife and my children.
The Chief, the Superintendent, the Director-General, even the Secretary of the Interior-
they are all screaming for us to catch the killer within three days.
But the killer leaves no traces.
We lack the equipment, technology, people, everything.
Our shoulders droop and our eyes are bloodshot.
But we really, truly, desperately want to catch the killer.
We ran, through the rain, the snow-we ran and we ran.
But, in the end¡¦
We dedicate this film to the detectives who finally had to admit bitter defeat.
To the blameless women¡¦
In the cold night air, as the raindrops fell on bare skin,
when the soft hands of the killer slowly started to enclose around your neck,
in that moment of immense terror and despair that we could never imagine,
whose name did you call for the last time?
We dedicate this film to the ten women who, if not for those hellishly dark nights, would still be walking the country roads under the bright sun.
Finally, to you without a face¡¦
Who are you?
Where are you now?
Do you remember the women you killed?
Are you happy?
還有。。。給你那沒有面孔的人。
你是誰。。
你在那裡
你還記得你殺害的女人嗎
你快樂嗎
==
這是導演的篇訪問。。希望讓你們喜歡這部電影的人多認識這部電影。。。^^
指向80年代的通缉令
APRIL 03, 2003 22:39
金熹暻 (susanna@donga.com)
http://china.donga.com/gb/data/20030404/photo/2003040406108.jpg
该事件是另类性疑案，但如果听一听当时警官们的讲述，可感到这与一部不合情理的剧并无区别。当初，我想如果把美国人惯用的题材惊险片和乡村粗糙的感觉结合在一起会很有趣。这并非极度惊险的影片，也许可以说是《田园日记》和《七宗罪》的复合物，是一种乡村型惊险片。”
由于故事情节是现实社会中真实发生过的事情，有些地方需要慬慎处理。但据说实际情况更具喜剧性，甚至需要控制描述程度。当时，刑警们按照占卜先生的预测把警察局正门改在了东面，并期待能够抓住罪犯，但案件却不断发生。占卜者又预测说，如果到西海去洗浴并虔诚祈祷就可看到凶手。刑警们按照这一预测于正月十五晚到了西海，但不想却被陆军哨兵发现，使他们颜面扫地。
“面临紧急情况的人们所做出的行为对于旁观者而言，有时候是好笑的。影片中对这种行为的描述很多，有不少逗乐的场面，但如果抱着‘他们为何会失败’的疑问观看影片，就能与当时的时代性连接起来。”
“华城连锁杀人事件”是相继举行亚运会、奥运会及5共和国崩溃之际全国陷入示威浪潮，大部分警力和官方人力被投入到镇压示威时期接连发生的案件。
“在发生案件时，案发乡村到处都是军警，但大约1个月之后，军警们再被派去镇压示威，而案件就会再一次发生。当时实在没有可驻守乡村的多余警力。”
在与体制存亡相关的大事件压倒夺去个人生命的小事件的时代，所有的责任都落在了乡村警察们的肩上。据说，对于当时负责此案的乡村警察而言，此案件至今还是一个噩梦。
“当时的国家缺乏能够守卫乡村妇女的意志和力量以及可与连锁杀人犯展开对决的缜密的调查体系。因此，我认为当时的时代性是导致这一案件成为永远的疑案的根本原因。”
从这一点看，与描述80年代的大部分影片只停留在复古风潮及享受性怀旧情绪的情况不同，该片可成为“试图正面观看80年代的影片。”
[ Last edited by ST on 2003-11-10 at 12:08 AM ] |
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匿名
发表于 2003-11-9 22:58
发表于 2003-11-9 22:29
em22
