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发表于 2004-5-7 16:33
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Date: 15 February 2004
. N/ r. k. E" N: w* P; L! ~: {Summary: Another incredible movie from South Korea
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& {% k1 a$ g( S& ZSouth Korean cinema has really become the top drawer of dramatic cinema in the world. This story of suffering and redemption is of the highest quality in all aspects. the cinematic skills of the director using DV brings that often maligned technology to the screen with a movie that is as visually stunning as anything shot on 35mm. And the acting is totally top drawer. All three of the main actors go through an almost embarrassingly intimate psychological transformation that exemplifies the films message of redemption. This film beautifully contrasts a sad dystopian (and I think accurate) failure of the modernist/Spectacular capitalism and a more eternally personal search for meaning and emotional anchors. Overall brilliant. 3 ^2 b( X6 ?4 w0 k# E
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" K( ^ \6 c1 ?2 U+ b, xdavid.widlake
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Date: 19 November 2001
( w! B5 H6 a- i+ t) o6 kSummary: The Butterfly is not 12 Monkeys
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A woman named Anna arrives in a city afflicted by lethal acid rain in search of the oblivion virus - an virus which erases memories. An agency provides two staff to help her: the guide Yuki, who tracks outbreaks and rushes clients to the scene to seek infection, and their driver K, an orphan who is desperate to find his family. But the virus proves elusive, and Anna (whose bad memories are triggered by guilt over her dead child) is ready to give up - until she comes across evidence that this may not be her first visit to the city. Shooting fast and cheap on DV, Moon Seung-Wook creates a powerful dystopian vision in which the longed-for salvation is amnesia. The imagination on display here is impressive - I thought the film was going to match 12 Monkeys but it was all a little too experimental for that. The performances are excellent - It has Best Actress prizes from Puchon and Locarno festivals to prove it. " ~# y6 ^0 x4 C+ ]! o
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Nabi (The Butterfly)) E3 @7 x8 J: C2 t4 `
$ M! O [3 D( d3 k; J GIt's exciting to see a small picture elbow its way into the spotlight every so often. Despite its minimal budget and lack of established stars, Nabi has captured notice with invitations to several high-profile festivals and a pair of best actress awards. It certainly deserves the attention; this beautiful and strange film offers its viewers a memorable experience.
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4 q: W: V5 P( w2 J) PNabi is set in the not-too distant future, in a Korea which looks only vaguely familiar. Acid rain and lead poisoning have created new dangers for the population, while the outbreak of a mysterious virus has perversely resulted in a new tourist industry. This so-called Oblivion Virus causes no physical harm, but it erases the memory of its victims. Henceforth a wave of 'tourists' begins to flow into the country; people suffering from awful memories, hoping to start their lives over.& E1 p/ [1 `, M9 \$ X5 D1 B
( D4 E; n* d0 v7 D& pAnna Kim is one of these travelers; the film charts her return to Korea after living in Germany most of her life. Rather than emphasize her search for the virus, the film concentrates on the relationship she develops with her guide -- a teenage girl -- and her driver. The time she spends with them changes her, leading her down paths she wasn't expecting.
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6 {( R! n: h+ @Nabi's director, Moon Seung-wook, studied at the Poland National Film School at Lodz and made his debut in 1998 with a little-watched film titled Taekwondo, shot in Poland and starring Ahn Sung-ki. In Nabi he creates a dark and vivid world using creative lighting, disjointed editing and hand-held digital video. Perhaps his biggest accomplishment is the performance he draws out of his cast. Actress Kim Ho-jung acted previously as the wife in Barking Dogs Never Bite, and her heartbreaking performance here won her a Best Actress award from the Locarno Film Festival in Switzerland. Kang Hae-jung, who plays the guide, also excels in her role, and she in turn won the Best Actress award at the Puchon Fantastic Film Festival in July.
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$ a& l( r4 }: A/ {6 d, y! n3 hSometimes you feel that a film is getting at something elemental, if not in words, then in images. Nabi's strongest scenes portray for us people and emotions at their most basic level. Whether splashing in a pool or playing on a beach, the characters in this film seem to embody the core of what it is to be human. (Darcy Paquet)
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[ Last edited by 阿韩 on 2004-5-29 at 01:58 AM ] |
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匿名
发表于 2004-6-1 02:10
发表于 2004-5-7 03:32
嘿嘿，不讲了，你们以后自己看。结局很open,有点出人意料,也让人回味..0 y! f& R8 ?: W! |8 U; n8 o4 ?