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发表于 2005-5-24 22:55
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Collected English Reviews2 z- L% t% f4 ]3 L `# b
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between Dogma and Almodovar: a great film from asia- j3 K& L: d% ?
' I) K1 Z' p; C+ ?4 December 2003, M) c+ f7 T0 n5 p' d
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Author: David Schubert (david_t@rechercheportal.de) from rechercheportal.de Heidelberg, Germany) }1 k7 {( P/ N* ]- F- P/ a9 ?2 b9 V
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* X g/ g4 N8 q( v/ N, I! MHard to describe the fascination of that movie: Surreal theater-like elements of narration on the on hand and pure naturalism played by brilliant actors - just to get a picture. Dogma from von Trier, Vinterberg etc. produces a feeling of pure reality, which is one by one destructed by people, who failed trying to reconstruct their world. They are helpless, but the films are not depressiv. I don´t know why. There´s a strange energy in them. Plastic tree shares that effect whith the Dogma-products, but in a second dimension it offers a lot of fantastic symbols, macro in micro, and instrumentalize the colors to explain relationships. A great film from Korea, hope I will see it in Germany soon. (I saw it at Filmfest Heidelberg-Mannheim, it won the award of the jury.) 5 V7 A. K* S, D$ i
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Only a Hair Cut, 6 October 20045 S9 ?8 B' {. |8 G1 Y# n
Author: Meganeguard from Kansas
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8 B* M% H2 ] H6 t9 eI honestly had no idea what I was getting myself into when I purchased this film a few months ago. Like similar DVDs that I purchase on a whim, this one sat upon my bookshelf gathering dust while the cellophane of a number of other DVDs was ripped off and their contents either bringing me enjoyment or disappointment. I really wish that I had torn the cellophane off of this DVD before I had several others. This is a great film that will both make you feel extraordinarily sympathetic and jump in horror at the same time.; ?' ~( a, v6 Y: P) l/ e" T0 M
+ I% `# z! F4 E0 e1 Y+ XAt the beginning of the film the viewer is introduced to Won Young a spacey young woman with extraordinarily long hair who lives with her boyfriend Su who is a barber and who owns his own shop which also serves as the young couple's home. They live a simple life with little luxury, but their relationship seems to be warm enough.) F' s W% f* ~8 A* h
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Their humdrum lives, however, are soon disturbed when Byong Ho arrives. Byong Ho has just finished his obligatory military service, and having nowhere else to go, decides to stay at Su's home. Su is not pleased with this, but he allows Byong Ho, who he has known since childhood, to stay at his home because Byong Ho states that he will soon be leaving on a ship to work.
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8 p; \/ v# C* a( F7 @5 XWon Young soon becomes fascinated with Byong Ho because he promises to plant her trees on top of the barbershop and take her sailing. Simple requests, or not so simple ones, that Su had always shrugged off. It is obvious from the start that Byong Ho is trying to wedge his way into Su and Won Young's relationship which he does with little care for the damage that he causes.
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This is a sad film. Su is impotent so sex between himself and Won Young is limited to the oral variety, which is depicted in graphic detail. Byong Ho takes advantage of this fact and rapes Won Young who, instead of telling Su, some how begins to derive feelings for her rapist and they begin to have numerous liaisons.
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: u0 t& y- }( A! hAlthough the viewer does feel sympathy for Su, the character I truly feel for is Won Young. Won Young is a delivery girl who not only has to put up with rude customers, but who also has to suffer the torments of her fellow workers who either yell at hr for being slow or simply ridicule her and continuously call her "bitch." . c, ]4 P. S2 c1 c
F+ l2 u: f( m# j: O! fThis a definitely a good film, but its content matter and pure cruelty makes it hard for me to call it a favorite, but it will stay with you for a long time. ' ]) W. O% Y# p3 b F0 R1 h5 w
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review by Joon Soh
+ y' G5 r# q8 B/ M- CSeptember 11, 2003
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The title of the film Plastic Tree is taken from a song by the rock group Radiohead, though the connection between the two eludes this writer. A bizarre combination of drama and horror, the film is one of the strangest to get a general theatrical release this year. # j: J7 ^+ J. l: N5 G
7 j, o, X+ Q* B3 WThe story revolves around a love triangle between Su (Kim In-gweon), a painfully shy barber living on the shores of Pusan; Won-yong (Jo Eun-suk), his listless live-in girlfriend who works for a delivery service; and Byong-ho (Kim Jung-hyun), Su’s psychotic childhood friend who makes a long and unwelcome visit.
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) D* l: i' x4 j. d' i+ u( g& PThe love triangle that develops among the three friends starts off slowly like a gentle melodrama, but by the end it swallows everyone whole. Some critics have likened the film’s unusual narrative twists to avant-garde French cinema, an aesthetic comparison that would be putting the characters’ puzzling behaviors mildly.
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The relationships turn into a bad Freudian comedy, with sexual repressions and unresolved memories that would give Norman Bates a good run for his money. But instead of a chill, the audience will more likely feel exasperation in trying to make sense of it all. . B# Y/ K+ F2 N6 t) y0 P ^& D! f
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The characters are portrayed in the worst possible light, a fact first-time director Eo Il-seon seems to relish. Though some of the disturbing scenes are provocative _ the harassment Won-yong receives from her male co-workers is particularly so _ others will make audiences feel like they’re stuck in a bad therapy session, wondering what exactly is the point of it all.
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(courtesy of KoreaTimes)
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[ Last edited by 阿韩 on 2005-5-25 at 12:41 AM ] |
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发表于 2005-5-24 22:44