【资料】《爱情倒后镜》(Art Museum by The Zoo)_(沈银河，李成宰)

ode · 发表于 2004-8-12 11:13

《爱情倒后镜》(Art Museum by The Zoo) 1998

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导演：李廷香
主演：沈银河、李成宰、安圣基
片长: 108分钟
摄影方式：Dual Layer
发行时间：2001年7月19日

内容简介：
专门拍摄婚礼的摄影师春姬(沈银河)爱上了国会议院仁恭.但是仁恭却连春姬是谁都还不知道(安圣基)。春姬是一个还相信浪漫爱情的纯情女孩。今年26岁。

春姬的房间里来了一个男人。他是来找一个叫“多惠”的女孩，他留着一头短发，名字叫哲修。
他从军队里出来寻找自己的女朋友，却发现女朋友不在原来的房间里，住着一个有点土气的女孩子，哲修一直留在这里，等待女朋友的消息。

结果就开始了双方都不情愿的1个星期的同居...

哲修终于有了多惠的消息，多惠要他和春姬一起来，哲修只好带春姬一起来见多惠。
但是他们看到的却是多惠和另一个人的订婚仪式....春姬非常同情哲修。
春姬爱上了哲修，但是看着哲修为多惠痛苦的样子，春姬无法向哲修诉说自己的爱情。

春姬和仁恭，哲修和多惠，就象美术馆旁的动物园，那样的不和谐又统一。
在一个房间里吃饭，一起睡觉，一起说话的他们不知不觉地产生了爱情。
爱情...好象从来都不曾发生，又好象在什么地方存在着。
在美术馆中，多惠看到了仁恭。
从来不相信爱情的仁恭在多惠面前慢慢地打开了心扉。
要归队的哲修去动物园等春姬，和去美术馆的仁恭相遇了...

View Point
遭到爱人抛弃的男人和被男人抛弃的女人，相互好象不可能产生爱情，却慢慢产生了爱情。
充满个性和趣味的故事，象童话一般美丽的画面，主演的演技也发挥的淋漓尽致。
特别是在《8月圣诞节》中有出色表现的沈银河在这部片子中也表现不俗。获得了“韩国电影史上最可爱的形象”的称号。

[ Last edited by ode on 2004-8-12 at 01:37 PM ]

ode · 发表于 2004-8-12 11:18

Awards
1999년 제7회 춘사영화제 신인감독상 이정향
  1999년 제7회 춘사영화제 창작각본상 이정향
  1999년 제7회 춘사영화제 기술상(미술 ) 오상만
  1999년 제7회 춘사영화제 신인남자연기상 이성재
  1999년 제36회 대종상 여우주연상 심은하
  1999년 제36회 대종상 신인감독상 이정향
  1999년 제36회 대종상 신인남우상 이성재
  1999년 제19회 영화평론가협회상 신인감독상 이정향
  1999년 제19회 영화평론가협회상 신인남우상 이성재
  제20회 청룡영화상 각본상(이정향 )

====================================

Synopsis
촌스런 이름의 춘희는 결혼 비디오 촬영기사. 그녀는 결혼식 촬영때마다 마주치는 국회의원 보좌관을 남몰래 사랑하고 있는 스물 여섯의 여자다. 춘희의 방에 갑자기 들이닥친 남자, 철수. 마지막 군휴가를 함께 보내려고 부푼 마음으로 애인인 다혜의 방을 찾았지만 그녀는 이미 그 방을 떠나고 없다. 철수는 다혜와 연락하기 위해 춘희의 방에 눌러앉고, 춘희는 혼자만의 공간에 침범한 칠수가 싫으면서도, 밀린 월세를 그가 대신 지불했기 때문에 쫓아내지 못한다. 결국 서로가 원치않는 1주일간의 무의미한 동거는 시작된다.

철수가 겨우 다혜와 연락이 닿은 날, 다혜는 춘희와 함께 나올것을 요구하고, 철수는 춘희와 함께 다혜를 만난다. 하지만 다른 사람과 결혼한다는 다혜의 말을 듣고는 철수는 강물에 커플반지를 버린다. 그리고 춘희는 그런 그가 안스럽다. 누군가를 사랑한다는 것이 얼마나 아프다는 것을 그녀는 알고 있기 때문이다.

춘희가 매일밤 무엇인가를 끄적이고 있는것을 본 철수는 춘희의 글을 훔쳐 읽는다. 그녀가 누군가를 혼자 사랑하고 있다는 것을 알아챈 철수는 그녀의 사랑방식이 탐탁치 않다. 철수가 생각하는 사랑은 체온을 나누는 현실이지만 춘희의 사랑은 말 한마디 못건네는, 어떠한 진전도 없느 기다림뿐이다. 철수는 그녀가 끄적이는 글 속으로 들어가 사랑을 바꾸려 한다. 춘희는 인공을, 철수는 다혜를 생각하며 함께 시나리오를 써 나간다. 그 속에서 철수가 그리는 다혜는 점점 춘희를 변화시키고, 춘희가 그리는 인공은 철수를 변화시킨다.

둘이 같이 쓰는 시나리오 속에서 미술관 안내원인 다혜는 수의사 인공을 멀리서 바라만 보다가 조금씩 그에게 다가간다. 더이상 사랑을 믿지않던 인공은 다혜의 적극적인 사랑에 조금씩 마음을 열고, 둘은 수채빛 사랑을 이루어간다.

춘희와 철수는 사랑관만큼이나 다른 생활습관때문에 매번 부딪히면서도 서로에 대한 감정이 조금씩 자리잡아가는 것을 느낀다. 철수는 휴가 마지막날, 생일선물과 함께 메모만 남기고 떠난 철수를 찾아 동물원으로 향한 춘희와 춘희를 생각하며 미술관에 들린 철수는 언젠가 같이 왔다가 각각 다른 곳으로 향했던 미술관과 동물원의 갈림길에서 만나게 되고...

From:shimeunha.net

[ Last edited by ode on 2004-8-12 at 11:21 AM ]

ode · 发表于 2004-8-12 11:28

Art Museum by the Zoo

Year: 1998
Director: Lee Jung-hyang
Cast: Shim Eun-ha, Lee Sung-jae, Ahn Sung-ki, Song Sun-mi,
      Kim Kwang-il,Kim Sun-hee, Ahn Soon-mo, Lee Sang-jin,
      Ryu Seung-soo, Lee Kyung-shik

The Skinny:
Director Lee Jung-hyang's debut is a delightfully sweet film. It has a quirky, understated pace, strong performances from Lee Sung-jae and Shim Eun-ha, involving characters, unusual plot developments, and an interesting soundtrack. If Christmas in August changed Korean melodrama forever, this film can be claimed as having considerably improved the country's outlook on romantic comedies.

Awards:
• 36th Daejong (Grand Bell) Awards
• Best Actress (Shim Eun-ha)
• Best New Director (Lee Jung-hyang)
• Best New Actor (Lee Sung-jae)
• Popularity Award (Shim Eun-ha)
• 20th Chungryong (Blue Dragon) Awards
• Best Screenplay (Lee Jung-hyang)

Availability:
Spectrum DVD (Korea)
Region 3 (Actually All Region) NTSC
16x9 Anamorphic Widescreen
Korean Language Track
Dolby Digital
Removable English & Korean Subtitles
  EDKO Video DVD (Hong Kong)
Region 3 NTSC
Widescreen
Korean Language Track
Dolby Digital 5.1
Removable English & Chinese Subtitles

=====================================

Review(一):
by LunaSea

Chun-hee (Shim Eun-ha) shoots wedding videos for a living, and secretly loves In-kong (Ahn Sung-ki), an assistant to a senator. He barely looks at her, but anytime she's in the proximity of the man, it's a nightmare. She can hardly speak and her awkward mannerisms are completely exposed. She knows it's an impossible love story, but keeps believing that one day he'll talk to her. Enter Chul-soo (Lee Sung-jae), a soldier on leave who is looking for his girlfriend Da-hye (Song Sun-mi). The only problem is, Chun-hee is now living in her old apartment, and Da-hye already made plans to get married with someone else. Chul-soo's world is shattered, but he at least develops a friendship with Chun-hee.
   Chul-soo seems like a chauvinistic pig (or the proverbial alpha male) at first. He criticizes her for being a die-hard romantic, and says the script she's writing (for a prize contest) lacks any interest. Why, you ask? Well, it has no sex scenes! But when he offers his typewriting skills to help Chun-hee complete her script, she discovers a side of him that's much more charming. Suddenly her fairy tale with In-kong is upstaged by Chul-soo's presence.
   The reasons for her shifting attention are many. In-kong's "perfect image" starts to shatter once Chul-soo injects some reality in Chun-hee's delusions. At the same time, Chul-soo's personality has an effect. He's not the most likable guy on earth, but he proves himself to be honest and reliable on many occasions. The funny thing is that while developing the script for a far-fetched fairy tale romance, the two start to accept each other's imperfections. They realize both In-kong and Da-hye (whose attention Chul-soo was hoping to regain) weren't for them. But, even if they'll never admit it, Chul-soo and Chun-hee feel good together.
   Part-autobiographical tale and part genre deconstruction, Art Museum By The Zoo works mainly because of two things. One, the romance is uncommon. Even if the conclusion is obvious, it doesn't develop along the lines of the usual three-act journey. Both characters maintain their personality and outlook on life at the end of the film. Unlike other romantic comedies, the main characters don't make any changes that seem artificial and convoluted. The cliché that opposites attracts is used in a capable way by director Lee Jung-hyang, who pokes fun at the stereotypical role of men and women in romantic comedies.
   The other winning factor is the chemistry between Lee Sung-jae and Shim Eun-ha. As he's shown in many other roles, Lee Sung-jae has a talent for portraying flawed characters with a certain charm. Chul-soo is often a little off-putting, but you never feel annoyed by him. In truth, he just doesn't know better. Shim Eun-ha simply gives light to this film. She's the perfect everyday woman who wears her shortcomings on her sleeve. She totally deviates from the conventional image that women had in prior Korean romantic comedies. She's charming because of her flaws, and Shim is able to bring that to the forefront. While her role in Christmas in August made her a superstar, her part here is still Shim at her likable best.
   With this film, director Lee Jung-hyang has established herself as Korea's most delicate, involving storyteller. Her ability to transform fluff into memorable scenes is remarkable. There are many occasions when scenes seem futile, but she's able to give small details an impact tothe overall story. Her screenplay flows extremely well, and never drags or loses its focus. Art Museum by The Zoo is a film that should be tasted slowly, like fine wine. It won't work on your emotions with the power of something like Christmas in August, A Day or many other excellent Korean melodramas. Its delightful little moments, playful jazzy soundtrack, great cinematography, and wonderful use of sound make this film one of the most rewarding of the nineties. A great little film. (LunaSea 2002)

FROM：LOVEHKFILM.COM

[ Last edited by ode on 2004-8-12 at 11:38 AM ]

ode · 发表于 2004-8-12 11:33

Art Museum by the Zoo Movie Review
by Anthony Leong
Copyright 2001

Prior to the recent renaissance in South Korean cinema, a 'new wave' that has unleashed bold and internationally-acclaimed films such as "Shiri (Swiri)" and "Chunhyang", the majority of Korean films typically fell into one of three categories: sappy romances, overwrought melodramas, or 'adult' exploitation flicks. Though the 1998 film "Art Museum by the Zoo (Misuhlgwa yup dongmulgwon)" (available on import Hong Kong VCD) seems to fit in the first category, it easily surpasses the mediocre standards set by its predecessors. In addition to a heartwarming script that actually mocks the genre, "Art Museum by the Zoo" benefits greatly from the luminous presence of popular Korean actress Shim Eun-ha ("Tell Me Something") and her chemistry with costar Lee Sung-Jae ("Attack the Gas Station!").

Apparently a semi-autobiographical reflection of director Lee Jeong-hya's own life, the story kicks off with a soldier, Chul-su (Lee), returning to his girlfriend's apartment while on leave. Unfortunately, what Chul-su doesn't know is that his girlfriend Da-hye (Song Seon-mi) moved out a few months ago and is about to marry someone else. To further complicate matters, the apartment is now being rented by videographer/aspiring screenwriter Chun-hi (Shim). Because he has nowhere else to go, Chun-hi reluctantly allows Chul-su to sleep on the couch until he can patch things up with Da-hye, while she tries to finish a screenplay for an upcoming contest and snag the man of her dreams, a senator's aide (veteran Korean actor Ahn Sung-kee, seen recently in "Nowhere to Hide").

Stealing a page from the book on romantic comedies, Chun-hi and Chul-su initially don't get along, as the former is an Oscar-like slob while the latter is an arrogant and chauvinistic male. However, what they both share is a difficulty in finding true love. Chun-hi is unable to start a relationship because of both her shy character and the unrealistic expectations she has about romance. On the other hand, though Chul-su is cynical about love, he clings to the relationship with his estranged girlfriend out of desperation, allowing her to trample all over him in the process.

However, where these two diametrically-opposed personalities finally find some common ground is with Chun-hi's romantic-comedy script. After reading it, Chul-su poo-poos all over her efforts-to-date, labeling it as hackneyed and implausible, and decides to help her write a new draft. They begin writing the new script together, projecting their own insecurities and desires into the story's characters. The audience is then privy to a 'movie within a movie' as the two collaborators imagine their script, "Art Museum by the Zoo", coming to life. Ironically enough, what they imagine their film to be plays out like your typically Tom Hanks/Meg Ryan romantic comedy, as it is about the unlikely pairing between an art museum curator (whom Chul-su envisions as his estranged girlfriend) and a veterinarian who works in a nearby zoo (whom Chun-hi imagines as her unattainable senator's aide). Of course, in the process of crafting their romantic screenplay, Chul-su and Chun-hi begin to fall for one another...

"Art Museum by the Zoo" was very popular in Korea in 1998, especially among women, and after watching this charming film, it's not hard to see why. Though the film looks and feels like your typical Hollywood-style romantic-comedy, it doesn't take the easy road of films such as "She's All That" or "America's Sweethearts", where the heroine's only hope of finding true love is to do a make-over. Instead, Chun-hi remains a disheveled and awkward slob throughout the film, and she is able to find true love by merely 'being herself' and through shared experience. Another nice touch is how director Lee plays with the viewer's expectations by having some fun with the film's self-aware 'movie within a movie' segments, parodying every well-worn cliché of lesser romantic comedies.

However, a key aspect that makes "Art Museum by the Zoo" work is the performance of its lead actress. Shim carries the film with her effortless and natural portrayal of the unlucky-in-love heroine that makes it easy for her likable character to connect with the audience. In many respects, Shim exudes the same naivete and vulnerability that marked her unforgettable performance in another film that year, "Christmas in August (Palwol ui Christmas)", and it is easy to see why she is the most popular actress in Korean cinema. In addition, Shim is also nicely balanced with Lee's portrayal of the boorish Chul-su, a turn that subtly reveals the 'nice guy' underneath all the abrasive male bravado.

"Art Museum by the Zoo" may not necessarily break any new ground in the romantic-comedy genre, and you can pretty well guess how things will turn out, but it is still very easy to fall under its spell. Backed by a self-reflective script, quaint production values, and two heartwarming performances with chemistry to spare, "Art Museum by the Zoo" is another example of the buried treasure waiting to be discovered in modern South Korean cinema.

FROM:media circus.net

[ Last edited by ode on 2004-8-12 at 11:35 AM ]

ode · 发表于 2004-8-12 11:41

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ode · 发表于 2004-8-12 12:20

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[ Last edited by ode on 2004-9-28 at 12:10 PM ]

ode · 发表于 2004-8-12 12:21

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[ Last edited by ode on 2004-9-28 at 12:11 PM ]

ode · 发表于 2004-8-12 12:46

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1998. 12. 30
http://www.mukebox.com/artist/al ... ;aid=4&tid=5949

LIST:
1 사랑하는 날에__ ( 서영은 )
2 시놉시스
3 Let There Be Love __( Laura Fygi)
4 Johannesberg __( Housemarins)
5 중앙선에서
6 그에게
7 Sick and Tired __ (Cardigans)
8 그림 속으로
9 과천 가는 길
10 She is...
11 사랑의 인사
12 미술관 옆 동물원
13 동물병원

下载地址:
mms://218.38.55.219/HIGH_MP3_040419/079/79107.mp3
................
mms://218.38.55.219/HIGH_MP3_040419/079/79119.mp3

[ Last edited by ode on 2004-8-12 at 12:50 PM ]

ode · 发表于 2004-8-12 13:57

说说韩国电影《美术馆旁边的动物园》
作者：不详(若有谁知道，请短信给我)

一个故事情节并不复杂的青春爱情片，有一点套层结构，男女主人公从互相敌视到和平共处，经过一些磕碰和波折，终于不知不觉中陷入情网。影片的故事不是如何精彩，但细节编排得非常有意思，非常精致，令人心动。现举几例和大家回味。

　　细节一：哲洙与春姬一起去见以前的女友多惠，在等多惠的时候，姬问哲怎么不抽烟，哲说与多惠约好了一同戒烟。多惠来了之后，一句话都没说，就很自然地自己点上了一支烟。这个细节很巧妙地暗示了虽然哲洙对多惠一如既往，但多惠早已忘记了与哲洙的过去，他们已不可能继续在一起。

　　细节二：春姬和哲洙闹翻了，春姬把哲洙赶出家门，哲洙站在门外，春姬从里面把他的东西扔出来，先是旅行袋，然后是鞋子，最后却是哲洙买回来的一支玫瑰花。看到这里，观众都忍不住笑了，这支花缓冲了他们之间的矛盾，似乎预示着他们产生感情的可能。

　　细节三：春姬还是留下了无家可归的哲洙，但他们协定好，春姬睡唯一的床，哲洙只能睡桌子，枕头归他。没有枕头的春姬翻来覆去睡不着，只好把一卷手纸当枕头。后来哲洙看到了被压扁的手纸，若有所思地把手纸筒挤圆了，两人之间的误会和隔膜在悄悄地溶解。

　　类似的细节俯首皆是，这些正是这部电影出彩的地方，真实地刻画了人物的性格，推动了故事的发展，也产生了很好的喜剧效果，看后让人回味无穷，一部好的商业片并非不讲究艺术性，艺术的手法用得智慧，就会达到非常美妙的效果。

来源:湖南经视

tea · 发表于 2004-8-12 15:00

【心中韩影】爱情倒后镜——《美术馆旁边的动物园》

关于倒后镜的概念我一直很模糊，因为我根本就不会开车，每次总是别人载我。而此刻我偏偏很想变成一个老练的司机，开一辆像片中李承宰开的那辆会常常熄火的老爷车，缓慢地倒着车，前方的后视镜中的景物如倒带机把电影重放，来时的一切风景在我眼前忽然变得清晰，我好像找到了某种感觉……
终于，我来到了那个交叉路口，一边通往美术馆，一端连接着动物园。银河和承宰正站在那里，秋日午后的阳光燥热地包围着一切，让人觉得有点儿烦，就像此刻承宰的心情。他刚被女朋友茶惠给甩了，恼恨与沮丧让他如一只咆哮的狮子，只想赶快冲进动物园。
“你去哪？动物园在这边，你不该是去美术馆吧？”
“是啊，我就是去那里”
“美术馆？难道你认识毕加索，认识达芬奇吗？”
“当然了 ”
“好啊！那你自己跟他们玩吧，我要去动物园。”
“好啊”于是两人各自扬长而去。
我喜欢影片把美术馆与动物园这两个风马牛不相及的场所放到了一起，就像优雅的西餐和爽口的大葱蘸酱同时被请上了餐桌。美术馆中充溢着理性的思考，而动物园里总是布满着感性的直观。它们蕴涵着银河与承宰对爱情的两种坚持，两种极端。
在银河看来，美术馆中的每一幅画都是一个美丽的风景，她喜欢静静地从画框中欣赏这个世界，亦如她习惯于暗暗品位她的单恋对象。当她爱上一个人，她一定要考虑很清楚。她总是在期待什么，但是从不行动，她喜欢等待事情自己发生……她就像星空中的处女座，虽然是处女，可她并不像她的名字那么温柔，她很想保卫自己的贞操，所以她的热度相当高，让人难以接近。
而对于承宰，虽然他不再相信爱情了，但他认为爱情的实质就是肉体的接触。性对于他来说就像一张会员证，没有人知道他的会员证到底用过多少次，他也从来不送人家一张他用过的会员证。他嘲笑一见钟情的虚空，正如他嘲笑银河这个情场新秀就喜欢没事一个人享受单恋，那种发呆的样子简直很无聊。
在无休止的摩擦和斗嘴中，影片安排这两个背道而驰的人因为一个剧本而相互了解，慢慢步入了彼此的内心世界，承宰开始去试着欣赏音乐了，他也终于让银河明白了宇宙之所以那么黑，那是因为星星喜欢单恋的关系。而她其实并不喜欢单恋，她只是懦弱，怕受伤……
最后那本该去动物园的人去了美术馆，而该呆在美术馆的人却去了动物园，是为了找寻？还是为了接受？当两个人在交叉路口再次相遇，就像他们剧本的圆满结局，虽然快乐得很不自然，虽然他们太不同了，但一切都可以理解，至少结局足以让大家露出会心的微笑。
影片《美术馆旁边的动物园》是李延香导演的处女作，虽然从影以来只有《美术馆旁边的动物园》（1998）《爱•回家》（2002）两部作品，但她已经展露了锋芒。李导是韩国为数不多的女性导演之一，试想在韩国那个男性统治的社会，女人要想做出点成绩来是相当难的，特别是在电影界。
李导曾说在拍这部电影时她遇到了前所未有障碍。因为她是女人，所以制作公司、投资人都不去看她的能力，举个例子：有９０分能力的女人和８０分能力的男人，他们可能会选择８０分的男人，只有当女人有９０分的能力、而男人只有６０分能力的时候，他们才会让女人来做导演。李导说：“因为我是个女人，所以只有一次机会，这一次我绝对不能失败，所以第一次对我来说是致命的关键，想做导演的人太多了。
还好《美术馆旁边的动物园》上映之后，那些报怀疑和歧视态度的人看到了李导的能力，所以在拍第二部电影的时候她基本上没有遇到什么阻碍。
虽然是摄于1998年的老片，我还是不得不佩服李导在这部亲自编剧影片中，所展现的那些妙趣横生寓意深刻的对白和精致温婉的细节处理：承宰佯装汽车事故而替银河拦下已经错过的公车，承宰把银河当枕头的卷纸重新拍圆，还有承宰不经意间为银河递上的一把雨伞，一件外套，一个苹果派……这些俯首皆是的细节即使在多少年过后的今天再看起来仍然是那么亲切感人，那么回味无穷。
其实私底下李导是一个像片中女主角那样喜欢安静的人，她多数时候会自己一个人坐着发呆，幻想一些故事。她对身边事物和人的细腻敏感几乎是一种天性，比如她会对采访她的记者的南方口音很感兴趣，她表示在她的下部作品中女主角可能就会说一口很南方的韩语。
银河在片中一改往日光彩照人的形象，变身为一个邋里邋遢，不拘小节的女人。她不爱刷牙，不爱洗澡，不穿袜子，居所凌乱，总是蓬头垢面，打着哈欠去上班。但她的亲切随和，无拘无束和直白坦率足以抵消她外表给人的反感印象。片尾银河和承宰接吻后调皮的笑了起来，那副古灵精怪的模样让我看到了她不同于以往的另一面。
这部影片意义还在于它让我尝试着从倒后镜中重新去审视爱情。就像银河重放承宰为她录的短片，正视着片中的自己，银河不禁恍然大悟于爱情的真谛。
关于爱情——我曾经和许多人一样怀有过自以为是的幻想，也曾经胆怯地徘徊在爱的十字路口举步维坚。但当我在镜中重新去审视这一切，却忽然明白了现实中的爱情其实不仅仅是一见钟情时互放的光亮，或是作茧自缚的单恋中痛苦的甜蜜。爱其实是不需要冷静思考和解释的。它只是一些你司空见惯的关爱，一些令你不以为然的亲密接触。在共同分享的时间里产生的几万种感觉，那就是爱情，它无时无刻不存在于你所面对的每一个机会中，当最深沉的爱情径直到来的时候，不管是冷森森的刀刃，还是月光朦胧的馨香，决不要害怕，只管大胆地走上前去，把它紧紧拥抱在怀里。

[ Last edited by tea on 2004-8-12 at 03:01 PM ]

MAX · 发表于 2004-8-12 21:08

西西
好喜欢里面的安胜基
好儒雅

ode · 发表于 2004-8-14 10:15

Flash: http://hi.card2card.com/card/sp/src/sp118.swf

MAX · 发表于 2004-8-17 22:00

登录/注册后可看大图

[ Last edited by ode on 2004-10-29 at 11:31 AM ]

阳阳 · 发表于 2004-8-17 22:11

李成宰的电影处女作, 就能有如此洒脱自然的演绎, 让人赞叹的.

ode · 发表于 2004-10-3 19:31

登录/注册后可看大图

이제 보이죠?

[mid]http://my.dreamwiz.com/minpop07/song/chunheeuuuu.wma[/mid]

S 43 춘희방 (밤)

식탁 앞에서 춘희, 멍하니 있다가 깜짝 놀란다. 철수는 부지런히
식탁을 차리고.
춘희 : 응?
철수 : 무슨 생각 하는거야?
춘희 : (빙긋) 내일 만날 생각하니까...못본지 오래됐거든.
철수 : 너 그거 오래된 병이지?
춘희 : 뭐가?
철수 : 널 안좋아할 것 같은 놈들만 골라가며 짝사랑 하는 거.
춘희 : (빙글) 아무리 약올려도 소용없어.
철수 : 상태가 심각하구나. 그 사람이 왜 그렇게 좋은데?
춘희 : 나랑 비슷할것 같아서.
철수 : 남의 결혼식만 쫓아다니는것? 속으로만 그러지 말고 직
접 연락을 해 봐. 사귀자고.

춘희, 피식- 철수가 찌개를 갖고 오자 "우오우-" 수선스럽게 감탄
한다.

철수 : (그런 춘희를 보며) 하긴 그사람이 너랑 사귄대도 문제
다. 하는 짓 하며. 게다가 이 방에 와보면 달아날 걸? 나
이랑 성별을 종잡을 수가 있어야지.

춘희 : 나이를 헛먹는게 얼마나 어려운 일인데.
철수 : 헹! (비웃으며 큰 물통을 각자 앞에 하나씩 놓는다. 컵
대신)
춘희 : (턱까지 괴며 더 빠져든다) 항상 몇 년뒤의 내 나이를
생각해보면 끔찍했는데 막상 그 나이가 됐을때 담담할
수 있는건 나이를 한살씩 먹어서인가봐. 그럼 그다음
나이가 그리 낯설지만은 않거든.
철수 : 나, 참. 무슨 사춘기 소녀라고. 넌 아직도 철이 덜든 것
같애. 옛날같으면 그 나이에...
춘희 : 평균수명이 길어졌으니까 철도 그만큼 늦게 드는 거야,
모두.
철수 : 하! 우리 여주인공도 너 닮아 철이 없어서 큰일이야. 철
좀 들라구.

오늘 아침부터 이거하느라고 끙끙댔어요..ㅋㅋ

이장면 너무 이쁘죠? 대사도 넘 와닿구~

이쁜언니 보시라구요~~~~목소리도 넘이쁜 은하언냐~

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【资料】《爱情倒后镜》(Art Museum by The Zoo)_(沈银河，李成宰)

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Poster

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