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PIFF单元之一“大视野”参展的韩国本土电影：/ N3 s) B0 I4 j# H( k4 `1 w3 B) M
6 B* E7 x0 }- B+ T. E* Y5 q“大视野单元”既有短片也有长片，展映作品的实验性强，主要为新人导演或DV爱好者的制作的低成本非主流电影（包括记录片，如韩国的描写非转向长期囚的《送还》）。这些年轻的导演以各种或荒诞或写实的拍摄手法和表达方式，展示他们各自独特的心灵空间，将视角伸展到更为异类边缘的世界里，提醒着观众电影本身的多元化和生活本身的多样性。
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Camellia Project-Three Queer Stories at Bogil Island
0 D6 m6 e) l8 {; B5 g$ E, U# RLEE Song Hee Il etc...3 C a8 F% M1 f( r, z) S: ]
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Korea, 2004, 90min , DV, COLOR- i* z) t a+ s% x7 j* Y5 T3 y
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http://www.piff.org/data_images/film/08/film/kimchuja(1).jpg
, D# G- r6 S6 d, J, ^# C: gAn omnibus of short films about gay men’s relationships and partings. Kim Chu-ja is a fantasy musical about two men who were lovers in the past and meet by chance. Drifting Island is about a quiet, sad love story about a man who wants to leave and a man who wants to hold him back and in La Taraviata a woman comes to Bogil Island to meet her dead husband’s lover. She’s angry when she sees him happy. She sees the red camellia flowers and she comes to terms with her husband’s homosexuality while recovering from the hurt 9 \) L; O6 g4 Y+ q. ]. f1 Z
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Debtor, The
' a+ R2 i6 x e: L; `( `WOO Won Suk # J% [# z: m4 F8 z9 D
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Korea, 2004, 23min , 35mm, B&W
3 z$ H9 \, _) m2 A7 M4 V4 }http://www.piff.org/data_images/film/08/film/Debtor(1)(1).jpg
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7 o& Q$ g- Y1 X/ Y% @1 e* wFingerprint
0 G# G6 ?, `) Y# Y' ACHO Gyu Oak % {# l+ g' b+ u
* |2 v% ~5 n+ H% u e/ F5 `% QKorea, 2004, 21min , 35mm, COLOR
, n9 M- Z( ]7 T9 i! G: S7 Vhttp://www.piff.org/data_images/film/08/film/Fingerprint(1).jpg. j! z/ y0 p4 T/ Y5 t# O1 \
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# w+ r! G- b. I$ o$ I7 C5 W% x9 GFriends or Foe+ b. |6 z, H; ?' Y0 }, m
Lee Ji Young
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* [% ?9 R5 a* c5 WKorea, 2003, 118min , DV, COLOR
2 K2 K1 T* t2 a. `/ C$ @ }8 E2 ohttp://www.piff.org/data_images/film/08/film/Frends_or_foe(1).jpg3 w( J4 y) J2 l, a) R1 y
This film documents the struggle of Korea Telecom temporary workers that began in December 2000 and continued for 517 days. It charts the establishment of the labor union by the workers to the disbanding that came about against their wishes. It tells us that before, the workers had only one enemy, but now there are many other enemies which hurt the workers. How would one define the defeat of the worker? This film shows the characteristic sense of reality of the Labor News Production Group.
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http://www.piff.org/data_images/ ... 89_Ji-Young-LEE.jpg
9 n! {1 Q1 E4 ^" {6 {Lee Ji Young. q$ r: Y! T6 q6 [
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2 [& [" Z4 i8 B/ f3 y/ B$ [' pBorn in 1966. Lee Ji-young graduated from Korea University, majoring in psychology. She is currently a member of Labor News Production. She made her debut with Labor News16, Video Magazine(1994). She has made several documentaries, such as The Law of Labor(1995) and General Strike 1,2(1997). Her film, The Fired Workers(1996), was screened for the Wide Angle section at the 1st Pusan International Film Festival.
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Function of Twins' C' {4 x6 }: g( S
NOH Jae Seung
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Korea, 2004, 29min , 16mm, COLOR( t3 B1 c4 ~$ _3 T- O
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http://www.piff.org/data_images/director/dir_Jae_Seung_Noh.jpg
3 [% G% ]2 m) j1 n- |NOH Jae Seung
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! l0 l7 r# T$ ]. J+ eStudying at the Korean National University of Arts. [Scratch](2001), [The Internval](2001), [Deprivation](2001), [A Bite](2002), [And We Speak](2002) 6 r" B0 L; a# Y0 o" Z1 ~
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6 H, t1 B! g$ }% W L# Y( \# zGoldfish
6 `% E. ]0 R* l" B, a! hPARK Shin Woo
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Korea, 2004, 17min , 16mm, COLOR/ Y( T6 z* M& Y6 ]* z ^
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If I Wear a Sword in the Stone
$ L. }4 _3 V: r8 XSeong Ho
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Korea, 2004, 42min , DV, COLOR9 ], p) b3 \+ L! l6 d3 ~
B/ A2 e+ p$ ] s* mThe research office in Chung Moo Ro is closed down and a relationship comes to an end. These two events are seen from a subjective point of view. The film rejects the conventional narrative style and it seems to have a patchwork storytelling style, even though there is a common thread of feelings throughout the film. , j4 G4 `& A. P# o( P
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It Goes On-The Undocumented is Documented
( F9 W! j$ n$ B+ @+ C) jJOO Hyun Sook- B- {+ l6 Q& p: x S
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Korea, 2004, 74min , DV, COLOR
9 r- R8 S5 k) V$ O; P. X2 W' Xhttp://www.piff.org/data_images/film/08/film/It_Goes_On(1)-.jpg
, M, l2 s3 Z4 J, R( J* S# [7 ^- k' cIn the early 90’s, when the Korean economy was at its peak, the Korean government allowed the entry of workers from abroad. Many of them are now living illegal existences in Korea. In order to solve this “social problem”, the government has instituted a “employment permission system”, which has, instead of helping, marginalized foreign workers even more, driving some to suicide. In this film they have a collective voice and through them, we see the deep-rooted paradoxes in Korean society that we have tried so hard to hide. % I0 `# r( Q# K: Q/ q U
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/ [* j! M# ?0 ~3 ?& G" Y% fLife Goes on& d) B8 O6 ^% A; I a
Ryu Mi Rye
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! f% w) h! z3 Y7 d4 j+ @Korea, 2004, 50min , DV, COLOR$ E! c& [; p- I% Z$ N
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4 f' p9 Q6 I2 }- J' n8 LMy mother’s life seen through me, a documentarist and the questions that I ask my daughter after I become a mother myself... This is a frank film that shows the relationships between my mother, sister, my daughter and me as my mother has a rather late love relationship. Within happy families there are always pains and wounds and this film is not a report abut women’s lives but rather a monologue. You might laugh when you’re watching this film but behind the laughs, there’s a hurting and upset heart. And so, on go the links between a mother and her daughter. 2 W: G2 R: S- G8 _
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' y8 ?+ d7 U' `* E: LLOST & FOUND
8 `8 O1 V) b' v& Z/ l/ ^KIM Dong Ryung 3 y+ U9 Z( T+ i+ R! I- d% X
& S+ z3 ]7 p6 c& Q4 mKorea, 2004, 17min , 16mm, COLOR0 d% V* f, T: \* k4 V
http://www.piff.org/data_images/film/08/film/lost_and_found.jpg
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Out of Focus7 R9 S" o4 T! D. [) |
KIM Tai Yeon , p' ^, u# `1 a6 R0 `
8 }; S- _( a" C3 s; G: uKorea, 2003, 17min , 16mm, COLOR
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Play it Again
2 b6 F# w: P& K, [) B u" EHwan Ki Min
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6 m# z8 ~- D7 D/ a% n; rKorea, 2004, 75min, DV, COLOR! C$ K9 Z9 n6 Q" T$ n8 E' P b
http://www.piff.org/data_images/film/08/film/sandm.jpg
" G- l; M D4 L5 D3 y0 ]A theater director and a group of actors are hard at work, trying to put a play called “Whore House” on stage in Pusan. The rehearsals go on relentlessly but some things are definitely not right. The director is angry at the actors for not following his directions and the actors are not happy with what the director is saying. The camera faithfully captures their rehearsals. They all think they’re doing their best but that doesn’t seem to be the case. The camera does not judge them, neither does it show any love toward them. The camera does not sneer. It merely stands by them. . L( ?+ ^, r% B- E5 l1 D
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Punk Eek
8 W, Q; \; ]: t9 f6 BKwang ju SON. r; V% t+ Q& A8 O* g- L7 ]" G
h. f9 I& n7 s5 S, bKorea, 2004, 21min , 35mm, COLOR9 M# {- m7 _' W( q8 w9 V
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1 j: n5 s- G8 I; w5 w& q, v1 HQuick Service, l. i4 K7 l9 C2 y/ C2 T6 ~0 j9 r
KIM Yi Kyuong
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. l$ g" ^# j8 W! \5 Q; oKorea, 2004, 16min , 16mm, COLOR
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2 Z) E8 o2 D1 \! C* i; DRepatriation' s7 m/ S" _$ p) l/ z" I
KIM Dong-Won1 L7 I6 h: r3 _7 _0 T/ L2 `
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Korea, 2003, 148min , DV, COLOR; M+ F- g3 }6 x+ \$ v9 e5 O# {8 t% \" l
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For ten years, the director met with POWs who refused to change their political beliefs. The film has a first-person narrator and is dramatic, especially as it spans over such a long time period. The director talks quietly and slowly about the block he felt during his meetings with the men, and about their isolation and their conflicts. The director invites us to experience history while breaking our prejudice of such men. Their ideology might be different from ours but they lived a life with strong beliefs, being victims of the division of Korea. This film is a masterpiece where one can feel the quiet power of the director. ; S* }; g3 {0 t% \7 q- t% e4 ~
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4 O; D( ~3 U, I9 Y KIM Dong-Won
8 n+ J9 G6 l- x9 a/ l- hhttp://www.piff.org/data_images/director/Dir_Dong_won_Kim.jpg2 A8 B( q" ~% A$ T6 g% t3 [% g. U
Kim is the president of [푸른영상], a representative documentary film group in Korea. He is responsible for such remarkable documentaries as [Six Day Fight in Myong-Dong Cathedral], [Haengdang-Dong People] which deals with harsh realities in Korean society. Formed in 1991, [푸른영상] grasps the turbulent times of 80s, becoming a birthplace for many Korean documentary filmmakers.
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Sara Jeanne0 d! d: a1 I- [" U/ p- a2 ~2 O8 P
Kim Seong-Soog" }# W7 C6 w# r+ {. Z/ ]2 S+ g
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Korea, 2004, 21min , 35mm, COLOR$ a; S# j+ S, b% y+ b& S
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http://www.piff.org/data_images/director/dir_Seong_Sook_Kim.jpg
/ y( B3 C& t. ?- H0 Y8 bKim Seong-Soog
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3 P' F7 t- ?+ @' O2 kGraduated from Yeonsei University in 1992. Supervised Indie Forum 96, Seoul, Korea. Simultaneity (1997) was screened as opening film in the Indie Forum 98.
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9 c3 F3 m1 B' _3 G N0 tSilent Forest % m8 `* x7 N9 Y
Hwang Yun
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Korea, 2004, 100min , DV, COLOR" o) b- |0 I1 J% a/ z- | P8 V
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A film that shows the destruction of the environment by man’s greed. The few remaining wild tigers in China are pests to farmers but the Chinese government wants to protect the tigers. The Mountain Baekdu is being eroded by efforts to hunt down wild animals. Bears await their death in a cage too small for their size so that Korean tourists can drink the juice from their gall bladders. Their opaque eyes seem to tell us that the end is near, not just for them but for all creatures on earth. This is a strong documentary that reminds us about the absolute preciousness of wild animals. & _+ N% H. G2 H2 R7 o$ k0 z
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/ ?! }- E& [5 T2 E* i" y! o: lhttp://www.piff.org/data_images/director/hw.jpg
5 k6 P( o6 g, ?7 J0 iHwang Yun4 ~( K9 q! w/ v1 U/ B9 e! d
Born in 1972,
; Z; M& w0 R& Y# ^5 IHwang Yun majored in English at Ewha Womans University and began her film 6 U2 o) l" k Y4 X d3 D
career on the production of Meat(1997) and The Natural Beings(1997). Since
" E. W! b: l# j1998, she has been working for the "Independent Film Production AL." She w* y2 i* E$ X( S$ d4 |: y
directed A Piece of Advice on the Road(1998). In 2000, she completed A 7 y3 d* K! y' `5 e( C+ d
Winter Night Story, which presents the lives of young Korean filmmakers
7 v% k \& X- D& K4 N4 q7 ^working on the production.
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3 H8 \0 j/ o, p4 a s3 {Squadron Vignette9 G- j2 t2 Y( ?" |0 t. t& n G- ^( [! x
JI Min Ho
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Korea, 2004, 38min , DV, COLOR
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The earth of the future is at war between the northern and the southern hemispheres. The members of the 401 brigade are sent to war, having had their memories erased. The members meet their former selves in a state of extreme magnetic-pressure.
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$ t! {: J6 {' R$ s: o8 z: USwaying Boat, The
- Z* o# _ ~7 } h/ h! V( n* n' yMIN Jae Hwee
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( |+ C/ R: z, VKorea, 2004, 25min , 16mm, COLOR9 Z$ ?2 Q3 X6 @/ H
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Sweet Home
. h$ y8 w' L% A, n5 g8 |% Y/ X3 lKANG Dee Hee
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Korea, 2004, 10min , 35mm, COLOR
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1 }; l B5 P9 r: bTaxi Driver
/ [+ ]; s( b# bYANG Young Chul 7 ~0 o7 X: O7 g# o
$ z2 e5 `0 ^% ^Korea, 2004, 13min , 35mm, COLOR9 l) F3 J! u" v) u8 \4 ~
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- s; c, s8 U; _, vTen Ox-Herding Pictures#1-Going Out in Search of the Ox5 j: I* [4 f) W1 g& K
Lee Ji-Sang! i1 _5 _: p3 l# S' \* \
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/ t* K8 n2 f5 CI am a film director and one day I leave my sick, old mother and helpless father to return to a farm in the country. I don’t know why I made that decision. Before I left, I ask my mother to make a belt for me. I remember my mother’s shaky hands and her bright smile. One day, mother passes away. Through someone’s help, I get some land to bury my mother in a grave. I have a ritual for her with the rice I harvested myself. This is a film about a film director on a farm, as seen from a fixed camera. The camera captures his feelings towards his parents that go unexpressed as life and death quietly happen around him.
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Lee Ji-Sang
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Lee Ji-Sang studied at the graduate School of Hankook Theological University. His first short film is [For Rosa] in 1993 and another short film [De-Pure Land](1996) was shown at the 1st PIFF. He made his directional debut with [Yellow Flower]. His other works include [A Sudden Crash of Thunder](1999) $ h. Q; G0 j; M" g4 g9 A: H2 m1 _
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The Winter of an Solitary Lady+ x% r/ {& j) d; |
LEE Jung Hyun2 e4 T# f/ [5 B2 k
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PARK See One 4 h! Z- n9 p3 ]/ D: R
# }! i, {2 M# EKorea, 2004, 11min , 35mm, COLOR( [) y# i' y6 K$ W6 L8 x
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Walking for Life$ H6 e& R7 C2 i8 P5 {/ u3 X
Kim Tae-Il
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6 @% g1 U7 k# SKorea, 2004, 74min , DV, COLOR, C4 q' K3 y& P$ L4 k
http://www.piff.org/data_images/film/08/film/Road(1).jpg
/ {+ b6 X% F: y% o' d2 LJoo-hee used to belong to Sesemteo, a support group for teenage drug addicts. She doesn’t want to become a homeless person so she learns how to farm. She meets a lot of different people at a rice farming group. Under the blazing sun, some leave and some stay on. Joo-hee has a dream to become a farmer and she stays on, revealing her weak, shy, hesitant and scared sides. This film doesn’t preach, nor is it sentimental in tone. Instead it tells Joo Hee’s story in a quiet, honest manner. + P# L% @1 B; R1 T9 Q3 P1 |( P
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What Do People Live For) q( h5 _5 U6 f$ o- H
LEE Kyung Soon, T9 F. L( ]- I# ^; m
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Korea, 2003, 111min , DV, COLOR+ V' f2 [) A* @1 r9 a! ^
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The family of the dead struggled for 422 days and finally a special law was passed to investigate the unexplained deaths at the hands of former governments. This film is a sequel to Mindullae, and depicts the activities and limits of committees and civilian investigators. Through detailed pictures of the committee’s activities, the film shows the conflicts, the structure and the bureaucratic limits. But it also goes further. The director herself gets involved in the narrative. The film asks what people live for.
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Will be Okay
0 i" M6 f- }. c! m, _/ Z! IRyoo Hoon
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Korea, 2004, 14min , 35mm, COLOR+ B, E) n& L3 y, v+ Q
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发表于 2004-10-7 07:05
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发表于 2004-10-7 23:14
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发表于 2004-10-8 01:33