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楼主: 紫丁香

【资料】2009年《爱子》(崔江姬、金英爱、裴秀斌)中字已出

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发表于 2009-12-26 23:27 | 显示全部楼层

[K-FILM REVIEWS] 애자 (Goodbye Mom)

by X, December 3, 2009 5:28 PM, Fr Twitch
http://twitchfilm.net/reviews/20 ... ews-goodbye-mom.php

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发表于 2010-1-16 11:44 | 显示全部楼层

已经有无字幕版的了


                               
登录/注册后可看大图


                               
登录/注册后可看大图


                               
登录/注册后可看大图

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发表于 2010-1-23 15:25 | 显示全部楼层

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发表于 2010-1-23 18:43 | 显示全部楼层
这个要看看......

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发表于 2010-1-23 19:59 | 显示全部楼层
正在下载中字,贴个在线过来。by:娇气的小淘气
《爱子》DVD中英双字
http://player.youku.com/player.php/sid/XMTQ3MDg1Mjg4/v.swf
http://v.youku.com/v_show/id_XMTQ3MDg1Mjg4.html

[ 本帖最后由 bobo119911 于 2010-1-23 20:03 编辑 ]
『熱海の捜査官』『鉄の骨』『ジョーカー』『逃亡弁護士』『Fabregas Always a Gunner  』   

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发表于 2010-1-24 14:24 | 显示全部楼层
小评《爱子》与《眉山》

   最近鼻涕纸浪费了很多,午夜看完了这部影片,与两天前看完的我的爱,同样是疾病题材,爱子更胜一筹。
  看过的第一反应竟然是,哇,这部片子和《眉山》简直是姊妹篇,一样是母女之间的情感纠结,一样是单亲母亲绝症,只是这部医生和母亲有萌芽的爱情,而眉山是女儿和医生。
  整个故事行云流水节奏平稳,特别喜欢几次出现的夜半黎明前的画面,天空是青色的,阳光未出之前的朦胧笼罩着一丝希冀,尽管最终这样的希望也没能闪现,笑与泪相伴的情景,仍然让我感到是朝气与憧憬,感动却不悲伤,平安喜乐悄然滑过心尖的清凉之感颇具欣慰。
  不必去思考什么封建传统思想对韩国民众的荼毒,这样的片子没有必要去升华到那样的高度,看过之后再去看剧情简介就发现,那简介太误导读者了,或许是所有预告都会存在的通病,不看也罢。
  《爱子》的视角是平行的,女儿的角色要比《眉山》丰满,不过试想菜菜也不适合演问题少女的角色,而崔江姬太和称爱子了,仿佛是量身定做的一般,OO说你不觉得这是她演的最好的一次吗,确实啊,我也这么觉得。所以说日影在这个女儿的角色上稍微有些平淡,多半也更出于菜菜优雅淡然的气质吧。而母亲的角色,《爱子》里的更加真实的有些世俗,而《眉山》却更多的选择了俯瞰的视角,那个母亲过于美好的伟岸描述有些隔靴搔痒的疏离感,何必要让一个普通人多了那样人人爱戴的光环呢,我有些嗤之以鼻。
  《爱子》的整个画面是温暖的色调,而《眉山》更多的是清丽与华美交织,这一点上,眉山胜出,动用了大规模的群众演员去出演的阿波舞,着实震撼人心,故事的平实与艺术的渲染结合的相当成功。在生命的终结时,《爱子》选择了静静离去,再使用蒙太奇的方式来灵魂对话,而《眉山》却在浓墨重彩的上演着最后的泪眼相望,眉山就是母亲爱人的怀抱,阿波舞是母亲爱情的见证,对于传统文化保存良好的日本,的确值得更多的电影人去借鉴而又没办法不去感慨。所以当我看完这两部作品的时候,却莫名的会想到,PC和霓虹的文化差异多少也和民族性的眼界胸怀有关。

PS:我这婆婆妈妈罗罗嗦嗦写了一堆大概也要被说成是大妈了,挑战一下耐心吧,咯咯~
    如果喜欢这部影片的不妨去看看《眉山》,momo推荐,嘎嘎~

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发表于 2010-1-24 15:36 | 显示全部楼层
看完后同意MO说的,同样是情感片,爱子更能深入人心,或者说这种情感更能被真切感受和触摸........

前半段和后半段反差很强烈,前一个小时左右刚刚因为母女之间休止不了的斗嘴而捧腹时,妈妈倒在会场,成为了整部片子的转折点,风格急转之下,剧情高潮也随之而来........好在影片结尾的那抹亮色又让人豁然开朗不少,不是矫揉的煽情,却流露出一股浅浅的温暖......

说实话,影片本身并不是很催泪,至少我并没有潸然泪下,但不催泪并不代表这就不是一部好片......"没有眼泪也能让感受到悲伤",能做到这种程度,这部片子算是到了更高的水准.......

看的时候本来以为后半段在母亲去世后就会有点俗气地往煽情的路上靠,但之后母亲的灵魂与女儿的对话又让前半段的感觉逐渐显现出来,怎么说呢,也许会哭点比较低的人笑中带泪吧,尤其是咬耳朵这个小动作,虽然不知道具体说了什么,却让人觉得窝心.......

很喜欢片子不少前后呼应的小细节,比如那张小字条,那串奇怪的文字,推动了剧情了发展,也让整个故事更具有完整性.....可以说片子的很多情节和人物都是在前后相互服务,所以让整部片子少了拖沓,更加紧凑,比如母亲一直偏爱儿子,而且又不敢坐前座,这在之后给出了说明,原来母亲当时因为疏忽而造成的车祸让丈夫去世,也让儿子残废,所以才会觉得对不起儿子,想尽全力补偿他.......

这类情感片通常比较女性主义,更多的从女生的视角看问题,但好在片子设置的几个男性角色都不是纯粹在打酱油.....如果当下很多电影都靠排场,特效或美景取胜的话,这部片子确实是原原本本的靠扎实的剧情打动人心.......

浓浓的亲情,加上时而点缀的亲情和爱情,总之,是一部很值得一看的情感小品哈........
                                                    ...Dream High...

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发表于 2010-1-24 15:46 | 显示全部楼层
所谓感情,纷繁复杂。
无论是亲情、爱情亦或者友情,总是掺杂着许多情绪,即使它再怎么深厚。

关于《爱子》的故事,就是纠结在这一点上。爱子和妈妈深爱彼此,但生活就是生活,总是会有磕磕碰碰,两代人思想上的差异、生活方式上的差异,再加上爱子又是那么与众不同的小孩,小时候的叛逆少女,而今即使年近三十去也依然特立独行,不会像常人一样去谈婚论嫁,却只知道追求一些在妈妈看来似乎很不切实际的东西。这一切的一切都直接导致两人的关系一直处在临爆点上。

但无论怎样的矛盾,在母女间都不会是不可调和的,因为有那深厚的羁绊在,就会为对方考虑,自然也就会为对方妥协。这个解开问题的过程往往很纠结,但一旦解开,感情通常都会增进一步。这就是所谓事物的两面性吧。

嗯,看《爱子》的时候我真的是又哭又笑,导演用轻松且细腻的方式诉说着这对母女的故事。许多细节都是那么贴近生活,有着你我的影子在。不用说教,只是把生活细节多角度展现出来,让我们自己去体会、去领悟。我很喜欢这样的基调。如若你正儿八经的跟我说教,我还真是听不下去。这就是所谓的逆反心理吧。(唉。。自拍一个,这毛病改不了都!)不过说真的,很多问题一旦牵扯到感情,答案往往都不会是唯一的了。

哦哦,还要特别提下演员,饰演妈妈的金英爱演技自然毋庸置疑。不过最最让人惊喜的当然还是崔江姬。好歹也三十好几了,怎么扮起高中生一点也不突兀呢,演技+童颜最高,吼吼!

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发表于 2010-1-24 17:38 | 显示全部楼层
剧本上乘,细节丰满,情节流畅。。。看了一眼此片编导合一,赞一下!
非常不喜欢煽情过度,我对过度这件事情真的非常敏感。所以,很高兴没有,而且多数时候都是轻松而欢乐的,同赞葬礼上那段对话,如果没有那段,估计就一路小跑成了催泪片,还好没有,还好。
这样的剧情片细节很重要,这些细节如何推动影片也很重要。楼上也提到,片子里人物其实蛮多,但是没有什么纯粹打酱油的角色,每个人都恰如其分的作为生活中的一员出现在了该出现的地方,所以想起来觉得每个角色都很有存在感,嗯呢,都有印象很深刻的部分。
后面崔JJ学会吹口哨的部分又上演了“步履不停”,我们总要从父母那里得到点什么,不经意的。金英爱和崔J的表演上品。Mo说的对,这个就是为崔J量身定做的角色,她表现的非常自然。金英爱,看过她的专访,没想到她的生活那么波折,也没想到其实她是那么消极的一个人,我把专访贴过来吧。。。
————————
金英爱Cine21专访,koreanfilm.org
This interview in its original Korean language form can be found in Cine21 n. 720, Sept 8, 2009.


Why did you choose to act in the movie Goodbye, Mother out of all the possible roles you could have had?
          When I was offered the role of the mother in Goodbye, Mother, my situation was quite difficult.  I wasn’t really feeling ready to work.  I was appearing in a drama here and there, but I didn’t feel I was ready to take on a film part. However, the scenario caught my attention and I liked the fact that it was the story of ordinary people. My favorite parts to play are of the people next door like I did in the dramas ‘Wave‘ and ‘Brothers’ River’.

The movie is the story of the relationship between Ae-ja and her mother…but it seems to me that Ae-ja is the larger role.     My part was large enough! I was worried about how my acting would be received and if I could manage the part.

Well, they say that once you learn how to ride a bicycle, you never forget. I think the same can be said for your acting skills.   No, that’s not true.  My acting is not improving as I get older and I am always so tired after wrapping up a shoot that I catch a cold.  I see other actor’s my age performing and I think to myself, “Her style of acting is so old-fashioned!” I think people might look at me the same way. I feel as if I have lost my ability to concentrate and think on my feet since my role in Hwang Jin-yi about three years ago.  And since I had been through so much since that part, I was worried that I would not be able to do as much as I used to.

Although I was excited to be on a movie set again, I was still nervous. I was worried about my reputation and the fact that I was rusty after several years of not acting. I threw up often and couldn’t sleep at all. I even suffered from a burst blood vessel in my eye–all because of high expectations of myself.

I’m not sure that director Jeong Ki-hoon knew that.  He referred to you as an ‘expert’ and that you were very helpful on the set. Everyone else was calling you ‘Mother’.    That’s natural considering my role.  There is somewhat of an age gap between myself and the director who often told me I was a ‘fox’.  He directed me well and got me feeling like an actress again in no time at all.

There are many scenes where you interact with your ‘daughter’ played by Choi Kang-hee. I was wondering what you thought of her as an actress…    She is more like a friend to me…but a younger friend. We have a lot in common and many similar interests. We both have some bold ideas and hate staying in one place.  And besides that, we are both anti-social!

I don’t understand that. With your long experience as an actress and your time as a CEO, you should be good at mingling with people.    No.  When I go shopping for clothes, my stylist picks everything out.  I have kept the same hairdresser since I was 28.  I have a person who is responsible for my makeup and nails.  I just follow the people around me.  I prefer to maintain my relationships with these people whom  I already know.

That sounds kind of scary.  It’s just that I want everything to be scheduled for me and to go smoothly. I actually keep myself in control.  It also means that I expect alot of my co-stars as well. Of course, I am not talking about making mistakes.  Everyone does that. However, I don’t want he or she to ignore me.  I cannot stand that!  I always try my best and give a huge effort with whatever task I’m given.  I have heard from many people over the years that I am too strict. However I don’t agree with them.  My character in Hwang Jin-yi was so strict that I was fed up with playing her.  One day my son told me that the character was just like me! (Laughs)  I guess I always try to be perfect.

The mother in the movie Goodbye, Mother really seems to suit you. She is also an upright person who always follows her principles.   I think I have a lot in common with her.

I heard that many people called their mothers right after watching Goodbye Mother. That must be because your role was special.  Although I played the mother, I thought of myself as the daughter while acting. My own mother passed away when she was 79.  I was stunned when she died. Even though I had been taking care of her for twenty years, I never expected that she would pass away suddenly. I thought she would always be beside  me.  I most regret what I last said to her on the phone. “I’m busy, tell me what you want to say.” And then I hung up

Tell me about when you were younger. Your photos are beautiful. You must have attracted many men.    When I was in middle school, the children in the village used to follow me around with sticks and call me very derogatory names.  They used a term meaning half-breed because my skin was so white, my forehead was high and my eyes were brown.  My father was very strict with me when he saw boys following me. He assumed I was leading them on and I was severely scolded.

It must have been difficult then to get your father’s permission to get into acting.   Well, I was quite spunky! I didn’t go back home for a month after submitting my application to a vocational high school. My mother suffered from his complaining that she did not raise me better.  I used to rebel quite a bit.  By the time I started to get into acting, he was too sick to prevent me and then he passed away a short time later.

Did you really want to be an actress? I think you were influenced by many people telling you  that you were beautiful.   In the past, men and women who were good-looking were asked if they were interested in acting. I’m from Busan and when I came to Seoul, my friend urged me to apply to an acting competition at MBC. So I applied.  I wonder what would I have done if I had not won. What would I have become? I used to dream of being a housewife.

When did you really start getting into acting? With my aunt’s support I set about learning everything I could about acting while I was staying in Seoul. I didnn’t know the first thing about it. But I was the eldest child and I did not want to bring shame to my family. When I look back, I think the reason I made it so far in this field is because of my pride and patience.  I had my first leading role when I was 25 and I loved it. At this time, Kim Ja-ok, Ko Doo-shim and I were very popular.

You were in a lot of movies in the 1970s but afterwards you seemed to switch to television parts.  I was in various kinds of movies in the past.  But always meeting new people on the movie set and shortly after parting ways only to meet another new group made me feel very uncomfortable.  I was also in some adult films but I stopped doing them because I was worried that my son would go into a video shop and find them.  That thought makes me laugh now.  Frankly, I was a terrible mother. I usually checked if he had done his homework with a phone call. I think now that I should have spent more time with him rather than working so much.

Your business venture ended quite messily. Although you won the lawsuit, it must have been quite stressful coming right after your divorce.   Owning a business was not for me.  I felt like a dog on a chain taking care of 80 or 90 employees.  After the rumors broke out, I wanted to die! But I couldn’t because I didn’t want people thinking, “She deserved to die.” I cannot tell you how much I suffered during that time.

How did you get through it?   Nothing could console me then and it made me very bitter towards my husband. I wanted to have it all–I don’t do anything in moderation.  I wanted to keep a generous mind toward everyone but I couldn’t do that within my own family.  I guess I can’t change who I am.

The movie Goodbye Mother has brought you back.  Yes but I was worried about negative comments because I am nearly 60.  Actors thrive on compliments.  I want to hear that my part was the best in the movie, not that I was the best.

As an actress, are you afraid of getting older?  Getting old is inevitable.  It is something people should just accept. No one can stay beautiful forever. However, age has its own beauty.  I think Meryl Streep’s wrinkles are beautiful, but not my own. If I had a calmer life, I would have taken better care of my skin.  But I am more interested in people referring to me as a good actress rather than a pretty face.

So are you going to continue acting?  Of course I will. I don’t think of myself as a star but while I was away from acting, fans kept asking when I would return.  I really appreciated that.  I appreciate all the love people have shown me and I am repaying that love by returning to acting.  However, I won’t rush into it and I will pursue it at my own pace.

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发表于 2010-2-10 13:10 | 显示全部楼层
再上来顶一下!
这部片子很感人啊
直爽的妈妈,与才气满分的叛逆女儿之间的故事
看着看着,我就很想自己的妈妈了,作女儿的,要好好地孝敬您才是!

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发表于 2010-2-10 14:10 | 显示全部楼层
此剧非常好看,很感动啊!难怪它能获奖!

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发表于 2010-2-10 21:59 | 显示全部楼层
看大家讨论的这么火热,俺刚刚去把这片子看完了

很好看,从开头就觉得挺吸引人的......现在好多电影都不好好讲故事,故弄玄虚
这是俺第一次看崔江熙的电影,感觉很新奇....崔JJ演的很好,果然童颜无敌!演高中生很像那么回事! ....俺本身很喜欢这种有点叛逆有点痞痞的角色.....其实观众并不是不喜欢老套的故事本身,而是不喜欢那种故意煽情、做作的电影,这还要看导演会不会把握,能不能翻出花样来.....尤其喜欢电影的前半部分

看完《爱子》,让俺想到了俺大爱的那部韩剧,06年的《雪花》,同样是讲母女,同样是身患绝症的母亲和一个叛逆的女儿,同样是存在代沟的两代人....果然俺还是喜欢看这种类型的片子...

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发表于 2010-2-11 01:23 | 显示全部楼层
俺的哭点不低,但是特殊题材总是能赚走俺的眼泪,这部片子就是,最后那段灵魂对话绝对是经典,一直以来的母女情就是这样故作无谓其实已经深深印在心里了,犹如循着母亲的教导学会吹口哨,母亲在不断地练习打字一般,还有那张留在口袋里的字条“早点回来,我会很闷哦”,所有的细节应该都让观众或多或少有所共鸣。
一开始被崔MM的扮相给震撼了,如此帅气的作风,和老妈的互动很符合人物性格,看到后面已经完全分不清崔M和爱子了,原来她不是帅气,是那份母子情,让人物更饱满,更加吸引我~
脑海中母女灵魂对话,崔M吹口哨的那段挥之不去,很久没有这么被感动了……

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发表于 2010-2-11 17:41 | 显示全部楼层
前两天刚看完《爱子》,从开始首映就一直在找碟片,结果还是在淘宝上买到了,主要是因为崔江姬,我才对此片产生了浓厚的兴趣,最早看她是在金喜善主演的《娃尼和俊河》里面的配角,而迷上她则是因为《我的甜蜜都市》,所以一开始我就知道这一定是一部值得看的片子。
结果证明我是对的,呵呵。
虽然釜山方言让我头大,追着韩语字幕看,有时有漏掉剧情的时候,所以我决定今晚回去再看一遍。
无论是母女间还是父女间,从自己出生到长大成人,这几十年时间里,相互间的摩擦应该是数不胜数,回想起来,我也曾和爸爸吵架,更有一次大打出手了,相信当时爸爸是多么的伤心啊,但是现在虽然不知道爸爸在天国过的怎么样,虽然没有来得及对爸爸说我爱你,对不起,但是我一直都感受着父亲浓浓的爱,当然还有现在在我身边的妈妈。
亲人之间不就是血浓于水的爱嘛,无论在外面遇到怎么样的挫折和伤害,回到家,迎接自己的永远是温暖的怀抱。爱子就是这样虽然嘴上和妈妈吵吵,但是内心深处却有着无数的依恋,这是在失去父亲以后相互的依赖及爱。
我很喜欢这部电影,而且觉得釜山方言好玩儿,我开始学习了。

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发表于 2010-2-11 23:38 | 显示全部楼层
呵呵,昨天看的时候,也在想,这个是不是也说的是釜山话,因为跟平时听到的韩语差别挺大
釜山话确实很有意思......近些年以釜山为背景的电影越来越多了

回复 88# biebie苑恋 的帖子
鳖鳖你觉得后面那段好么?......俺倒是觉得都在预料之中,没有太意外,所以也没有太感动.....俺一向比较喜欢那种含蓄或者拐弯抹角的表达方式,就像之前母女俩虽然吵吵闹闹但是仍然能感受到彼此之间很深的情,俺喜欢那种的......后半段,变得太直白,所以冲淡了对于前面部分的那种惊喜......不过整体来说,《爱子》仍然是一部很好看的电影

崔JJ的形象确实很拉风,是俺喜欢的类型儿~~~

[ 本帖最后由 超级大汉堡 于 2010-2-11 23:43 编辑 ]
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