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Originally posted by lalanono at 2005-4-23 20:32:
请问:谁有林权泽的旧作<悲歌一曲>的资料啊~我找了N久都找不到==;;
lala,偶只找到这些,你先看看
西便制 / 悲歌一曲 1993
http://movie.91.com/Pic/2004/10/ ... b7-adcafdc3bfa0.jpg
类 型： 音乐 / 剧情
导 演： 林权泽 Kwon-taek Im
编 剧： Myung-gon Kim ( novel by Chung-Joon Lee)
主要演员：
金古初 Kyu-chul Kim
Myung-gon Kim
乌金梅 Jung-hae Oh
Sae-kil Shin
片 长： 112分钟
国家地区： 韩国
上映日期： 1993-4-10 韩国
出品公司： Taehung Pictures [kr]
发行公司： Cine Qua Non Films [jp]
简介：
东户儿时，流浪歌手俞本来到村里，爱上了他那寡居的母亲。俞本和他的养女松华以及东户母子重新组成了一个家庭。不久，东户的母亲去世，俞本教松华学潘索里音乐（一种朝鲜民歌），还教会东户击鼓。孩子们长大后，成了一对潘索里歌手和鼓手。东户和俞本父女四处漂泊，受尽人间苦难。
受西方文化的冲击，欣赏潘索里音乐的人越来越少。心灰意冷的东户被迫离家出走，松华很伤心。为了不让潘索里失传，俞本弄瞎了松华的双眼，以为这样就可以使松华潜心潘索里表演。然而，俞本死后，等待松华的是更加悲惨和孤独的生活。
综评:
韩国电影大师林权泽导演的<悲歌一曲>以韩国传统清唱板索里为题材，向观众展现了韩国美丽的山河大地。电影一举囊括1993年大钟电影节最佳作品奖、最佳导演奖、最佳摄影奖等众多奖项，并曾获第1届上海国际电影节最佳作品奖及最佳女演员奖。
导演 林权泽
1936年出生，1962年开始导演生涯。
自80年代起，尹坤泰因表现朝鲜民族而在诸多国际电影节上获奖。
他的主要作品有《曼德拉》（译音）、《西巴基》（译音）、《基尔苏土姆》（译音）、《阿达达》（译音）、《阿基节·巴拉叶》。
其中《西巴基》获1986年威尼斯国际电影节最佳女演员奖；《阿达达》获1987年蒙特利尔国际电影节最佳女演员奖；《阿基节·巴拉叶》获1988年莫斯科国际电影节最佳女演员奖。
1993年的电影《悲歌一曲》是韩国电影振兴的开端，从此迎来了韩国电影史上新的时代。当时全民观影，创下了超过美国大片的票房，达到韩国电影史之最。
故事描写韩国传统音乐盘瑟俚流浪艺人生有一男一女，男孩崇尚现代摇滚，不肯继承盘瑟俚，离家出走，为了将这门传统艺术世世代代传下去，并不断发扬光大，父亲不惜将女儿眼睛弄瞎，以便使她专心致志地研习盘瑟俚说唱……由于此片，韩国电影大师林权泽的名字也走进了中国。
《悲歌一曲》不是简单地表现要保存自己的传统音乐，而是在韩国传统音乐与西方摇滚乐共存的时代，潜在的韩国人独特精神世界的“恨”的表现。盘瑟俚正是这种精神世界最重要的感情寄托。韩国无数的学者都把这个“恨”字当作韩国文化的精髓。这种悲而不哀、因为悲才振奋的情感，使韩国电影有了特别鲜明的个性。
外人很难理解“恨”之于韩国的涵义。韩国民族经历了太多的残酷，先是遭受了日本的殖民统治，后经历了朝鲜战争和骨肉同胞南北分裂的痛苦。日本人觉得用日语说的“恨”就是“恨一切”，汉语里也有“恨”，而这些凄苦含义的“恨”都与韩国人说的“恨”字不同。从《悲歌一曲》来看，作品并不想诉说劳苦和被伤害的痛苦，而是由此激发情感，控制悲哀，然后去超越恨、伤痛、悲哀，直至夺取喜悦——笑谈沧桑就是韩国式的“恨”吧。
《悲歌一曲》之后，不少韩国影片都不同程度表达了这样的气质：如《薄荷糖》中，中年男子沿着铁轨去追溯经历的种种动荡；《故乡之春》中，带笑地回忆儿时对殖民者的恶作剧。此次展映的《兄弟》也表现了韩国情感中特有的“恨”：故事描写朝鲜战争爆发后，应征入伍的哥哥为了让弟弟能退伍回归家庭，不惜冒着生命危险，去执行最危险的任务。哥哥用胜过母爱的兄弟之爱赢得了韩国“恨”的传统的胜利。影片中，当哥哥抱着弟弟喊“弟弟，你就是我的生命”时，把这种带“恨”的爱表现得尤为强烈。
注:西便制:是一种传统的韩国曲艺形式,相当于我们的京剧.
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阿韩找来的影评:
http://www.krdrama.com/bbs/viewthread.php?tid=127943
http://www.krdrama.com/bbs/viewthread.php?tid=55780
http://www.krdrama.com/bbs/viewthread.php?tid=7132
O大的碟报:
http://www.krdrama.com/bbs/viewthread.php?tid=118181
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<review>
by NIX
from : nixflix
what makes "Sopyonje" stand out is its unflinching look and interpretation of a Korea under assault -- not assault from foreign attacks or invaders, but from something just as deadly: cultural imperialism. It is impossible to gauge the low-level intensity of the acting, the directing, and the progress of the story narrative and not realize that "Sopyonje" is a gem.
The world of "Sopyonje" is set sometime around the 1960s or 1970s; there are flashbacks to the 1940s, just as Korea was emerging from Japanese colonization and after the end of World War II. We follow the life of Youbong, a pansori singer and his two adopted children, Dong-ho and Songwha. (Pansori, for those who don't know, is a kind of Korean folk music, much like blues or blue grass in America. It is distinctively Korean, and has lost favor in the 20th century with the coming of modernization. The voluntary lost of pansori also marks the passing of traditional Korean culture.)
Youbong is the kind of man who doesn't give up easily and refuses to change along with the world around him. If he was smart, many people advise him, he would give up the notion of continuing with pansori and find "a real occupation". True to his nature, Youbong is unwilling to allow pansori to flee his life, and thus struggles to maintain it even as overwhelming odds close in on him. He makes a meager living at the profession, providing an art to a country that no longer cares for it -- or for him.
Even as modernization slowly but surely pushes pansori (along with the Korean that once embraced it) into the shadows, Youbong holds steadfast, certain in his beliefs. So obsessed with training the perfect pansori singer that Youbong is willing to blind his daughter in order to "teach her about grief", all the more to strengthen her ability to convey emotion. It's a horrific act, to be sure, but hate for the man is simply not easy to come by.
At once sad, depressing, beautiful, and exhilarating in its embrace of a dying art, "Sopyonje" is a masterful work. The daughter's singing continues to haunt me to this day.
I cannot recommend "Sopyonje" enough. It is a treasure of modern cinema, but unfortunately like the movie's topic, the film has faded into history. It's impossible to locate a DVD or VHS copy anywhere, and I would be grateful if someone out there could point me in the right direction.
[ Last edited by ode on 2005-4-25 at 12:44 AM ] |
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发表于 2005-4-18 11:30
发表于 2005-4-23 20:30
