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【資料】2009《诗》(尹正熙、李大为)李沧东导演,中字已出

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发表于 2010-6-20 20:04 | 显示全部楼层

演员尹静姬“练习了裸露戏,但浴盆太高了”

来源:JES | 2010.06.17 17:06


                               
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元老级的演员尹静姬在电影《诗》中的暴露戏份曝光了。

6月16日晚播出的MBC《黄金渔场-膝盖道士》中,尹静姬笑着说:“从很早以前开始,我的原则就是不演裸露戏”,“但李沧东导演说,这次的是一定需要的。因此,我就和丈夫商量了一下,还特地在家做了练习。但没想到拍的时候浴盆太高了,练习没派上用场”。

能代表20世纪60年代的著名演员尹静姬在43年的演艺生涯中曾有过接近300部作品,但她一直拒绝拍摄裸露戏。不过在这种情况下,她仍表现了出各种精彩的演技,给粉丝们留下了非常深刻的印象。

但此次,她不顾自己已经66岁的年龄,仍坚持拍摄了裸露的戏份,并得到了世界著名钢琴家、老公白建宇的允许,在家做了露背的练习,但不料拍摄时浴盆太高,这个场面未能出现在最终的作品中。

韩国中央日报中文网 http://cn.joins.com

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发表于 2010-6-22 11:05 | 显示全部楼层

尹正熙上黄金渔场

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发表于 2010-8-24 19:06 | 显示全部楼层

李沧东携《诗》登陆法国 韩片在法遭遇水土不服

2010-08-24 10:12:39    作者:编译/Ben    来源: 电影网


                               
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  据韩国媒体报道,在今年法国戛纳电影节荣获最佳剧本奖的韩国电影《诗》将自8月25日起在法国全境上映。

  根据驻法韩国文化院8月23日的消息,由李沧东导演执导,并且是影后尹政姬封影16年之后首部担任主演的电影《诗》,将自8月25日起在全法国30多家影院拆封上映。据悉,该片的法国发行方Diaphana曾在2007年9月引入发行过由全度妍主演的电影《密阳》。

  李沧东导演的第五部长篇作品《诗》讲述了一个六十来岁的女人美子(尹正熙),依靠护理一位年迈的邻居来养活自己和年幼的孙子。偶然之下她报名参加了一个业余诗歌培训班并开始写自己的第一首诗,同时发现自己的孙子与一女学生被轮奸的事件有关。在写诗的过程中她慢慢发现了美,也在不知不觉中她的记忆力慢慢地发生衰退。

  据报道,自2000年之后,在法国上映的韩国电影数量不少,但是取得票房好成绩的却不多。票房成绩前三名分别是2002年上映的林权泽导演作品《醉画仙》,该片在当年取得了31万6千名观众入场观影的成绩,而排名其后的则是2004年上映的金基德作品《春夏秋冬又一春》(22万5千名),在韩国掀起票房高潮的《汉江怪物》则以15万9千名观众人数名列第三。

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发表于 2010-8-27 16:10 | 显示全部楼层
이창동 감독 '시', 프랑스 개봉…흥행청신호
李沧东'诗',法国开封....票房绿灯

25日以来,在法国总共67块荧幕上映,观影总人数累计为6529名,此前李沧东另一部作品密阳观影人数为2297名,共在59块荧幕上映

原文链接:http://movie.naver.com/movie/mzine/read.nhn?section=main&office_id=213&article_id=0000048616
                                                    ...Dream High...

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发表于 2010-10-24 09:47 | 显示全部楼层

                               
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韩国电影《诗》的女主角尹政姬与《坡州》女一号瑞雨入围第四届亚太电影大奖最佳女主角候选名单。

  据韩国媒体报道,亚太电影大奖(APSA)主办方10月18日公布了入围该影展所有奖项的大名单,来自15个国家的30部影片榜上有名。其中尹政姬主演的李沧东导演新作《诗》,以及瑞雨主演的朴灿玉导演的《坡州》将争夺影后桂冠。

韩国电影《诗》一共入围了最佳影片奖、最佳剧本奖、最佳女演员奖、最佳导演奖等四个奖项。而《坡州》则将向最佳影片奖、最佳女演员奖两项大奖发起挑战。
终的获奖作品及获奖者名单将于12月2日在澳大利亚的昆士兰州黄金海岸公布。亚太电影大奖是CNN国际新闻网络、联合国教育科学暨文化组织和国际电影制作协会联盟共同举办,以电影的优秀程度和反映当地文化起源为评分标准。

【电影网】 www.m1905.com 独家稿件,转载请注明来源。
...

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发表于 2010-11-19 17:33 | 显示全部楼层

李沧东《诗》获大钟奖四项大奖

朝鲜日报记者 蔡珉基 (2010.10.30 10:50)

第47届大钟奖颁奖典礼于29日晚在庆熙大学和平礼堂举行,由李沧东导演执导的《诗》获得最佳影片奖等4个主要单元奖项。

《诗》是李沧东导演的第5部长篇电影,曾获得今年戛纳电影节竞赛单元最佳剧本奖。当天除了最佳影片奖,该片还获得了47届大钟奖最佳女主角奖、最佳男配角奖、最佳剧本奖3个奖项。

该片女主角尹静姬,16年前曾凭借《厚颜无耻的人》获得最佳女主角奖。时隔多年复出即再次夺得最佳女主角大奖。

康佑硕导演的影片《苔藓》获得最佳导演奖、最佳音响技术奖、最佳美术奖、最佳摄影奖4个单元奖项,与《诗》共同成为此次大钟奖的大赢家。

影片《大叔》 以622万名观众创下今年观影人数最高纪录,该片获得最佳男主角奖、最佳影像技术奖、最佳剪辑奖3个单元奖项。由Kim Tae-gyun导演执导的《赤脚之梦》获得最佳策划奖和最佳音乐奖。

惊悚片《金福南杀人事件始末》导演Jang Cheol-su获得新人导演奖,影片《风》中的Jeong U和《大鼻子情圣:恋爱炒作团》中的李敏贞分别获得最佳新人男演员奖和最佳新人女演员奖。《下女》中的尹汝贞获得最佳女配角奖,金熙罗(《诗》)和 Song Sae-byeok(《房子传》)共同获得最佳男配角奖。

资深演员申荣均和崔银姬分获电影人大奖和电影发展功劳奖。


朝鲜日报中文网 chn.chosun.com

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发表于 2010-12-4 02:51 | 显示全部楼层
今年的最佳要投给《诗》,这么好看的片子讨论这么少,或许大家已经喜欢得难以言说啦,总之真的是太赞啦。
很喜欢李沧东这次的处理,大概我害怕刺痛的感觉吧,虽然有点似是童话般的救赎与对话,不至于残忍对我来说就是完美的。深刻抑或反省,都需要看了又看回味更浓,果然,是《诗》,看似美好的片语漂浮,又被深海下的浓重撑展。
诗是喃喃自语,又像是一种魔咒,源自内心挥之不去的偏执,然而偏执不屈的人生才是真,诗不仅美,诗更是真。

尹阿姨的哈哈哈哈我有点接受不能,不过她念诗的时候却是感觉,这才是诗。韩语平铺的语调很难有美感,需要温柔和沉淀的声音做补偿。


我很喜欢那个孙子的表演,很真实又不失敏感与深度。

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发表于 2010-12-4 13:52 | 显示全部楼层
同意楼上,《诗》的确担当的起今年获得的这么多赞誉。

看着平淡,但是回味起来却百感交集,浓烈但不沉重。 开头和结尾的呼应最有李沧东的色彩,结尾处平静流淌的河水让人浮想翩翩,河水平抚了怨恨也唤醒了沉睡的心情~~

就算错过韩影,但也不能错过李沧东……希望李导这样继续写下去
2017.7.5 hyekyo,你幸福就好~

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发表于 2010-12-17 04:36 | 显示全部楼层

亚太电影奖,尹正熙和李沧东获奖

"Poetry" actress and director win at film fest in Australia

Actress Yoon Jeong-hee and director Lee Chang-dong of Korean movie "Poetry" both won honors at the 4th annual Asia Pacific Screen Awards (APSA).

According to the official Asia Pacific Screen Awards website on Friday, Yoon Jeong-hee won the award for best performance by actress and Lee Chang-dong the honor for achievement in directing.

"Poetry," which was released in Korea on May 13, is about an elderly woman who learns how to write her own poems while fighting Alzheimer's.

The film was also a smash hit during the Cannes Film Festival, winning the award for best screenplay and sold its distribution rights to several countries including Hong Kong, Syria, Japan, Portugal, Spain, Russia, Taiwan and Brazil.

Meanwhile, Director Park Chan-ok of Korean film "Paju" won the Network for the Promotion of Asian Cinema (NETPAC) award, given to emerging filmmakers in the business and to nurture new and rising talent in within the Asian region.

Established in 2007 as a cultural initiative of the Queensland State Government in Australia, ASPA brings together cinematic excellence and cultural diversity in the Asia-Pacific region as well as the only awards program to broadcast documentary series.



Reporter : Lucia Hong luciahong@
Editor : Jessica Kim jesskim@
<ⓒ10Asia All rights reserved>

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发表于 2010-12-26 07:48 | 显示全部楼层

回复 80# lexy_phile 的帖子

尹正熙和李英爱的调调是有点像啊。

甚至孩子的母亲都不再纠集那个沉入河水的孩子。
你若非美丽和苦痛又怎会写诗?
但事情的另一面是,若非有着敏感的心,又怎会像美子一样觉得苦痛进而美丽?就像电影里所有的其他人,他们所作的就是熟视无睹。这一次,李沧东没有把问题扔给历史和社会,而是扔给了每一个对不幸的个体熟视无睹的人。

最后一堂课,老师说比起写诗艰难,更难得的是有关于诗的心灵。跳出迷惑人的诗的字眼,周遭又有谁具备了对不幸的敏感呢?正直警察大叔的污言秽语是全篇最生动的词汇,相比之下那些漂亮的语言多么粉饰,它们没有生命。在这个意义上,美子竭力去寻找一尘不染的美好,却讽刺的生活在阴暗的角落里。这是多么的格格不入,就好像她的一尘不染的清丽衣服不只一次引起了人们的注意;与之相对应的是警察大叔一面污言秽语,却另一面将美好杂糅在其中。显然美子在开始对于此是不能接受的,但孙子被带走,羽毛球对弈那场戏之中,美子是否看到了警察大叔身上生活的真谛?

影片留下很多疑问:是美子举报了孩子们么?她最终跳下去了么?答案无从知晓。。。也不需要回答。。。

PS,安叔叔再次在李沧东的电影里扮演了漠视的角色。李大为,这个孩子完全日常的表现,反倒增强了影片的戏剧感。

[ 本帖最后由 ordinaryone 于 2010-12-26 07:52 编辑 ]

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发表于 2010-12-30 21:07 | 显示全部楼层
[影音] 诗的背面是残酷
2010年12月28日    来源:上海壹周 (2010.12.28 娱乐12)  

http://www.weeklysh.com/userfiles/image/娱乐12-2_10.jpg

《诗》
国家:韩国
推荐:★★★★★

文/孙孟晋
        一个现代人如果经历了官场的洗礼后,依然保持着惊人的追求,是值得好好尊敬的,他不叫王沧东,他叫李沧东,之前担任过韩国文化部要职。
        我相信李沧东是看开了,他的新电影《诗》找不到《绿洲》、《薄荷糖》时期的外倾的张力。他学会了在人生的背面轻轻地勾勒残酷。人,有他面目全非的另一面,也许是欲望的蹂躏,也许是一种无名的怯懦。李沧东在直面这种人背后的东西。
        《诗》,从结构上看,是双线齐头并进的,一位做外婆的老年妇女为了实现幼时的愿望而上诗歌写作班,但这条线索是一根副线,它宛如游离于人的意识背后的那一丝冲动,时时地将有趣的和无趣的生活勾勒出色彩。
        外婆和外甥生活在一起,外甥和其他五位中学同学一起强奸了一名女同学,而这名女生从桥上纵身一跃结束了生命。五位家长和学校为了逃避罪责和名誉损失,联手摆平死者的父母。
        看似本片重在展示人类的冷漠以及对社会世态的无奈处理。但从电影极其克制的这一点上,你又该相信,李沧东讨论的远不止这些。
        那个在流水中浮起尸体的女中学生,只有一个镜头,她被强暴的细节也没有,但她和外婆恰恰成为了映照,尤其电影的后半部分,这个被糟蹋掉的生命成了老妇人日夜牵绕的一个物体。
        最终,她们将合而为一。
        她跑到河边、桥上,最动人的是,她的白色帽子飘落时,宛如生命坠落的重复。这是一个被糟蹋的生命对另一个被糟蹋的生命的救赎。老妇人的人生故事没有交代,她只有一个女儿在城市里。
        李沧东隐喻的是什么?这个患有健忘症的老人简直不敢相信外甥做出了一件如此愚蠢的行为。一个念头在银幕上写着,她的身世,她在这个世界上曾经有过的遭遇是什么?
        有意思的是,最后警察还是带走了外甥,一个警察接过了羽毛球拍,和老妇人对打。这是非常极致的心理活动,真正的内心崩溃应当有息而无声。她的非道德却亲情的努力付诸东流了,直到这个时候,你才明白她的第一首诗歌是这样写成的,不断地和女中学生对话,乃至两个人成为一个人。
        人生有多少互为伤害?人生又有多少隐性的罪恶?这是一部东方的救赎电影。策兰说,死亡是花,只开放一次。我想说,死亡是梦,每天开放一次。
        欲望,每时每刻让人折向另一个地方。诗歌,就是这期间的变奏,它可以是失足的灵音,也可以是无耻的高歌。当我们卷走遗憾的时候,也在为罪恶付出代价。没有什么诗意可以不变而辉煌的。
        它就是一次灰色的旅程,生死,一线之间。当你明白了所有的答案,你还有勇气继续活下去?这是另一个答案。
        盼望着希望,它应该根本不存在。
        不要随便说悲哀,让肉体一点一点地通透起来。
        亮了。

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发表于 2011-1-21 07:40 | 显示全部楼层
Special Screening of Poetry at The Museum of the Moving Image
http://www.hancinema.net/special ... ng-image-27375.html

The Korea Society cordially invites you to:

Special Screening of "Poetry" @The Museum of the Moving Image

The Korea Society joins the newly renovated Museum of the Moving Image in presenting Lee Chang-dong's masterful "Poetry", which took the 2010 award for best screenplay at Cannes, a first for Korea.

A mysterious death, a woman with Alzheimer's, and a poetry class are at the core of this highly acclaimed new film by Lee Chang-dong ("Secret Sunshine"). Featuring an indelible central performance by Yoon Jung-hee, this multilayered drama is not to be missed.

This special screening, made possible by Kino International, will show at the Museum of the Moving Image, ten minutes from The Korea Society, at 35th Avenue and 37th Street in Astoria.

Sunday, January 23                           
4:00PM
The Museum of the Moving Image
35th Avenue at 37th Street, Astoria
(N/Q Train outbound to 36th Avenue)

About the Director:
Lee Chang-dong was a successful novelist and screenwriter before emerging as one of Korea's most talented directors. His films "Peppermint Candy", "Oasis", "Secret Sunshine" and award-winning debut "Green" Fish uniquely critique Korean society. Lee has won tremendous international recognition and taken awards at Venice and Vancouver, as well as Cannes.

For more information at http://www.movingimage.us/visit/calendar/2011/01/23/detail/poetry


--
Yuni Yoonjung Cho
Director, Film
The Korea Society
950 Third Ave. 8Fl
New York, NY 10022
Tel) 212-759-7525 ext.323
Fax)212-759-7530
email) Yuni.ny@koreasociety.org
www.koreasociety.org

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发表于 2011-1-29 02:06 | 显示全部楼层

评论

[HanCinema's Film Review] 'Poetry'
http://www.hancinema.net/hancine ... -poetry--27409.html

Humanising, touching and beautiful, "Poetry" (2010), directed by Lee Chang-dong, is a deeply real film that engages the heart on many levels. This artfully-constructed film lures you in with its sense of realism that just isn't showcased enough in film.

Meet Yang Mi-ja (Yoon Jung-hee), a lost and lonely elder in search of meaning and truth in her life. Her situation is not a desirable one; she takes care of her distance daughter's deviant son, Jong Wook (Lee David), while she works part-time caring for a stroke victim named Elder Kang (Kim Hee-ra). Having discovered that she has early signs of Alzheimer's disease, Yang seeks out the medium of poetry in the hope that she will find meaning and truth in her life.

The tragic nature of Yang's existence really dawns when we begin to understand her home life. She lives with her irresponsible grandson, from whom she has no authority over, respect or love. His aloof presence causes her distress and when she discovers that he was involved in the gang rape of one of his female classmates, resulting in the young girl taking her own life, she is unable to come to terms with his inexcusable act.

The other parents of the boys involved in the rape begin to work to put together a settlement payment to the victim's mother in order to spare the boys' futures. Their attitudes toward the crime and the steps they feel they must take to mend the situation differs greatly from Yang. A large majority of the film involves her interactions with the fathers as they make plans to put the money together to avoid any unwanted publicity. During which Yang continues to piece together her thoughts on the meanings of the things around her.

Yang becomes emotionally engaged with the deceased girl's story but struggles to express any personal meaning behind it. This is a woman whose tender outlook on life is so strongly countered by the people around her that she ultimately questions her own existence. From her own grandson's unremorseful attitude to the pragmatic resolute of the fathers, Yang feels emotionally disconnected from the world and the people she encounters.

It is for this reason she signs up for a poetry class, by the end of which she is to complete one poem. This is the perfect metaphor for the film and Yang's personal journey of self-discovery. The concrete things in her life are fading; objects and people are becoming increasingly disassociated from her sense of the real. This occurs as a result of her alienation from the objective world, a point poetically paralleled in her initial symptoms of Alzheimer's as common nouns begin to evade her recall of them.

Her poetry class teaches her that one's reactions and perceptions of everyday things are the foundation of poetry. Her instructor reminds her that to create a poem she must re-examine the things in her life and view them with a new perspective in order to find something beautiful and personally meaningful. Yang's journey is exactly this and, as we are drawn to the film's intellectual and heartening ending, one cannot help but reflect deeply as the slow water currents of the last scene linger.

One of the first things to note on the style of "Poetry" is the visuals. This is an example of modern realism in Korean cinema, shots linger and subtly shake as we are forced to examine every scene and its happenings. Like the film's themes, the visual experience calls for inspection, thought and feeling. This style complements the film's intent as each scene is loaded with feeling and emotion. We feel like a true spectator, watching the events unfold, while being asked to question our own reactions to the screen. Like Yang re-examining an apple to try see the world in a different light, the film makes its poetic message visually through cinematic realism.

"Poetry" struck me on many levels. It's not a typical mainstream film and I found that to be delightfully refreshing. It is a beautiful story told in a convention that sometimes leads itself to be dismissed by larger audiences. Watch "Poetry" and discover how film can truly be a beautiful creature.

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发表于 2011-1-29 03:02 | 显示全部楼层

英文版预告片

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发表于 2011-1-31 10:54 | 显示全部楼层
很抱歉我是分三次看完的
真的不太适应如此慢节奏的片子
相比之下《夏夏夏》我能看的更流畅些(虽然至今也没看完;) )
不过还是喜欢李沧东的那种情怀
“不要因为我美丽就想毁灭我”
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