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【资料】2014《海雾》(金允石朴有天)4月1日法国17日本上映 各国影展还在继续

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 楼主| 发表于 2014-9-16 00:17 | 显示全部楼层
http://thefilmstage.com/reviews/tiff-review-haemoo/

Haemoo
TIFF 2014 Review

[Lewis Pictures; 2014]
Director: Shim Sung-Bo
Runtime: 111 minutes


Written by John Fink, September 15, 2014 at 10:15 am

Haemoo is an effective moral thriller that immediately mirrors the best work of its co-writer and producer Bong Joon-ho. What starts as slow and straight-forward goes south quickly, raising the stakes drastically as difficult decisions are made — first for profit, and secondly for survival. Opening with a near-fatal, yet tone-setting accident on a fishing boat, Kang (Kim Yoon-seok) is a captain in a very difficult position. After a series of bad luck and poor financial decisions he finds himself over extended, unable to secure a bank loan to sail the ship as a legitimate cargo operation. Turning to the mob, Kang quickly finds himself in a moral dilemma: rather than leave his crew high and dry he reluctantly agrees to smuggle a group of Koreans leaving China with the promise of asylum in South Korea.
Treating his new occupants like cargo leads to inherent conflicts, including the most disturbing strand of the story when a freon leak provides disastrous consequences. At the heart of the moral delema is our hero Dong-sik (Park Yu-chun), a young sailor learning the ropes. He’s fallen for a pretty young immigrant Hong-mae (Han Ye-ri) and has already landed on the boss’ radar. At port he’s told to go get a room because doing their business on the boat is considered bad luck. Foreshadowing, check.
haemoo
Mirroring Bong Joon-ho’s latest feature Snowpiercer, Haemoo manages to be an effective thriller as well as a socially conscious heritage film. Set in 1998 amongst an IMF crisis fueling the need for cheap labor, it is ripe for additional commentary. Directed by first-time filmmaker (and Bong collaborator, having co-written Memories of Murder) Shim Sung-bo, the thriller elements simply deliver. What starts as an atmospheric maritime drama commenting on social class amongst the seaman (and their cargo) grows ugly. When their cargo expires, the crew is commanded to embark on the ugly business of disposing bodies and possessions. Along the way there are tense moments, disagreements and discussions, while all the while we genuinely care about Dong-sik and Hong-mae as innocent bystanders.
Both atmospheric (its title in English is translated to Sea Fog) and claustrophobic, the thriller is expertly lensed by cinematographer Hong Kyung-pyo (Mother, Snowpiercer) and tensely paced by editors Kim Sang-bum and Kim Jae-bum. The influence of Bong is apparent throughout the film, yet Shim’s direction is top notch and a text book example of misdirection. While the film’s first act never quite lets on just how horrific things will get as the captain (and crew) go down with the ship, Shim’s direction grows more confident as he expertly delivers genre thrills and moral dilemmas. While it flounders a bit early on, Haemoo evolves into an exceptional thriller while Park and Han create memorable characters going above and beyond their role: they think, feel and fight back.

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 楼主| 发表于 2014-9-16 20:19 | 显示全部楼层
本帖最后由 corona0911 于 2014-9-16 20:20 编辑

http://www.traileraddict.com/haemoo/trailer

SEA FOG (2014) TRAILER


Trailer for Sea Fog, also known as Haemoo.

A high-seas adventure with substance and heart, Haemoo is exactly why Hollywood is beating a path to South Korea's door. This gripping drama offers the tense, steady build of a film like Jaws — although in this case the threat is human.

Kang (Kim Yoon-seok) is captain of a fishing boat crewed by rough men who are used to the harsh realities of life at sea. Their regular fishing runs net them only a meagre income for their families back home, so when a more lucrative opportunity comes up, Kang grabs it. The job: smuggle a group of ethnic Koreans leaving China for new lives in South Korea. It's risky — and illegal — but offers the prospect of bricks of cash. Desperate migrants or dead fish: Kang doesn't care what he brings back to port if it means money.

His crew is a more complex mix of individuals, including Dong-sik (Park Yu-chun), an inexperienced young sailor. He strikes up a romance with a migrant named Hong-mae (Han Ye-ri), giving her a "first class" hiding spot in the engine room while the others are left in more dangerous circumstances.

Haemoo is based on actual events, which gives a sharp dimension to its story of crew members scheming, battling, and ready to exploit their human cargo.

FILM INFO

Posted: September 15, 2014
Director: Sung Bo Shim
Writer: Sung Bo Shim
Studio: Unknown
Release: August 13, 2014
Cast: Yun-Seok Kim, Yu-Chun Park

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 楼主| 发表于 2014-9-17 22:44 | 显示全部楼层
本帖最后由 corona0911 于 2014-9-17 22:48 编辑

http://www.asiatoday.co.kr/view.php?key=20140917010008618

'명량' 파리한국영화제 특별상영, '해무'·'신의한수' 개폐막작 선정
기사승인 [2014-09-17 12:50]


아시아투데이 우남희 기자 = 영화 ‘명량’, ‘해무’, ‘신의 한수’가 제9회 파리한국영화제에서 상영된다.

제9회 파리한국영화제가 주요 세 작품을 우선 공개했다. 개막작으로는 ‘해무’, 폐막작으로는 ‘신의 한 수’, 특별 상영에는 ‘명량’이 오는 10월 28일부터 11월 4일까지 8일 동안 샹젤리제 거리에 위치한 Publicis 극장에서 선보인다.

지난 8년 동안 한국 영화를 프랑스에 알리는 데 중심적인 역할을 해왔던 이번 영화제에서는 최근 한국에서 역대 흥행 성적 1위를 달리고 있는 ‘명량’을 유럽에서는 최초로 큰 스크린에서 만나볼 수 있게 된다.

특별 상영 작품으로 선정된 ‘명량’은 김한민 감독의 최신작으로 명량대첩(1957)을 배경으로 한다. 전작 ‘최종병기 활’에 이어 조선시대 전쟁을 소재로 한 이번 영화에서는, 이순신 장군의 12척의 배와 일본 수군의 330척의 해상 전투신이 장엄하게 펼쳐진다. 처음으로 해상 전투극을 소재로 한 한국형 블록버스터인 ‘명량’은 성웅 이순신과, 그의 뛰어난 지략으로 일궈낸 해전을 재현한 볼거리로 한국에서 현재까지 1700만의 관객을 동원해 ‘아바타’가 가지고 있던 종전의 흥행 기록을 모두 갈아치웠다.

이번 여름 ‘명량’과 함께 경쟁했던 바다를 소재로 한 또 다른 대작인 ‘해무’는 개막작으로 선정됐다. ‘해무’는 10년 전 함께 ‘살인의 추억’(2003)의 각본을 쓴 심성보 감독이 메가폰을 잡고 봉준호 감독이 처음으로 제작을 맡은 스릴러로, 감척 대상이 된 ‘전진호’의 여섯 명의 선원이 삶의 타전인 배를 지키기 위해 조선족의 밀항을 돕기로 하면서 펼쳐지는 이야기다. 문성근, 김윤식 등의 배우들의 탄탄한 연기력과 JYJ 멤버인 박유천의 첫 데뷔작으로 관심을 모았다.

폐막작으로는 조범구 감독의 ‘신의 한 수’가 관객을 찾아간다. 영화는 올해 초반 한국에서 할리우드 대작들과의 경쟁에서 350만을 넘기며 역대 청소년관람불가 영화 10위 안에 드는 성적을 냈다. 프로 바둑 기사 태석으로 분한 정우성은 살수(이범수)로 인해 내기 바둑판에서 형을 잃은 후 누명을 쓰고 감옥에 복역하게 된다. 그리고 살수를 상대로 복수극을 꾸미게 되는 내용으로, 바둑뿐만 아니라 정우성의 화려한 액션도 만나볼 수 있다.

wnh@asiatoday.co.kr 우남희 기사더보기


17/09 – [News] ‘Sea Fog’ selected as opening film at 2014 Korean Film Festival in Paris

Movies ‘Roaring Currents’, ‘Sea Fog’, and ‘The Divine Move’ are to be screened at the 9th Korean Film Festival in Paris.

The 9th Korean Film Festival in Paris has revealed three major films for the time being. ‘Sea Fog’ will be the opening film, ‘The Divine Move’ will be the closing film, and ‘Roaring Currents’ will be for the special screening; shown next month at Publicis Cinemas located in Champs-élysées for 8 days, from October 28th to November 4th.

Contending with ‘Roaring Currents’ this summer, another sea-based masterpiece ‘Sea Fog’ was selected as the opening film. As the thriller that is produced by Director Bong Joon-ho and directed by Director Shim Sung-bo, who wrote the script to ‘Memories of Murder’(2003) –which they worked together on 10 years ago–, for the first time; ‘Sea Fog’ is about six crew members of ‘Jeonjinho’ who become the focus on the ship; and the story that unfolds while they help Korean-Chinese stowaways in order to protect the vessel with their lives. It attracted attention as JYJ member Park Yoochun’s first debut film, and with Moon Sung-geun, Kim Yoon-seok and other actors’ solid acting abilities.

第九届 巴黎韩国电影节 10月28日-11月4日
开幕片 《海雾》

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 楼主| 发表于 2014-9-20 07:45 | 显示全部楼层
本帖最后由 corona0911 于 2014-9-20 07:47 编辑

http://www.kofic.or.kr/kofic/bus ... oardSeqNumber=41035
제87회 아카데미영화상 외국어영화부문 한국영화 출품작 선정 결과
작성자        국제사업부 박진혜 (051-720-4807)        작성일자        2014.09.19           조회수        5,665
첨부파일        

제87회 아카데미영화상 외국어영화부문 한국영화 출품작 선정 결과


제87회 아카데미영화상 외국어영화부문 한국영화 출품작 선정 심사에 지원해주신 각 영화제작사에 감사의 말씀을 드리며 다음과 같이 선정 결과를 발표합니다.


1. 선정 작품: <해무> (감독 심성보, 제작 ㈜해무 (대표 조능연))

2. 심사 총평

2014 아카데미영화상 한국영화 출품작 선정 심사평

아카데미영화상 외국어 영화부문 한국 후보작 선정을 위해 출품한 작품들은 저마다 색깔이 있는 영화였다. 국내 대표적인 투자배급사들이 한국을 대표하는 영화로 출품한 10편 중 한편을 고르는 일은 쉽지 않았다.

그 중에 심사위원들의 관심은 끈 영화는 4~5편 정도로 모아졌다. <해무>, <끝까지 간다>, <도희야>, <한공주> 등이 심사위원들이 수상 가능성이 높은 작품으로 꼽은 영화들이었다. 이 중 <끝까지 간다>는 상업성이 높고, 칸 영화제에서 호평을 받은 작품으로 아카데미 회원들의 눈길을 끌만한 영화라는 평가를 받았고 <도희야> 역시 칸 영화제에 초청되어 해외관객에 잘 알려져있다는 점에 좋은 점수를 받았다. <한공주>는 2014년 한해 해외 각종영화제에서 가장 사랑받은 영화로 그 작품성이 널리 알려진 바 있다는 의견이 있었다.

하지만 심사위원들이 최종 선정한 작품은 <해무>였다. 아카데미영화상의 전초전이라고도 불리는 토론토국제영화제 갈라프레젠테이션에 초청되어 현지 관객에 호평을 받았고, 아울러, 실화가 바탕이 되어 제작된 영화가 아카데미 회원들의 관심을 끌 수 있는 주요 요인으로 작용할 수 있다는 점이 큰 점수를 얻었다.

지금까지 한국영화는 아카데미상 외국어 영화부문 5편의 후보는커녕 9편의 예비후보에도 오르지 못했다. 칸, 베니스, 베를린 등 유수의 유럽 영화제를 휩쓸면서도 유독 아카데미상과는 인연이 없는 것은 어떤 이유일까. 이런 문제를 고려해 국내 심사위원 각각의 개인적인 취향과 전문성에 의한 선택 보다는 아카데미 회원에게 어필할 수 있는 영화를 후보작으로 선정하려고 했다.

마지막으로, 아카데미상 외국어 영화부문의 노미네이션 및 수상 가능성을 위한 더 적극적인 지원과 정책적인 배려가 있기를 바란다.
  
2015년 아카데미시상식 외국어영화부문 한국영화 출품작 심사위원 일동



담당자: 국제사업부 박진혜(051-720-4807)

@暖日呀呀
【9/20:#海霧#將代表韓國電影角逐第87屆奧斯卡金像獎最佳外語片】據韓國電影振興委員會表示,<海霧>被邀請出展被稱為奧斯卡前哨戰的多倫多國際電影節,並獲當地觀眾好評;且是以真實事件改編,應較能吸引奧斯卡評委關注為主因;故評委會最終選定<海霧>代表韓國電影角逐2014年奧斯卡金像獎最佳外語片。

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 楼主| 发表于 2014-9-21 01:01 | 显示全部楼层
http://www.1905.com/news/20140920/802946.shtml
韩国申奥片确定奉俊昊监制作品《海雾》将出征
时间:2014.09.20来源:1905电影网作者:张雨凝


                               
登录/注册后可看大图

《海雾》将代表韩国角逐第87届奥斯卡金像奖

    1905电影网讯 虽然本年度的奥斯卡金像奖颁奖典礼要等到2015年2月22日才会举行,但与其相关的评审活动已于近期展开。针对最佳外语片这一奖项,许多国家和地区也开始陆续确定和选送参赛影片。9月19日,韩国电影振兴委员会正式对外公布,由奉俊昊监制,沈成宝执导,金允石、朴有天等人主演的《海雾》力压《道熙呀》等片,成为代表韩国角逐第87届奥斯卡金像奖最佳外语片的作品。

    《海雾》根据真实事件改编,讲述了走私船船员与偷渡者之间发生的悲剧故事。8月13日,该片在韩国上映,但由于题材、排片及分级等因素,最终票房表现平平。本土遭遇滑铁卢,却没有影响《海雾》的海外征程。在被称作“奥斯卡前哨战”多伦多电影节,《海雾》受邀参加主展映单元,并收获了不俗口碑。随后,《海雾》又接连入围了圣塞巴斯蒂安国际电影节和釜山国际电影节竞赛单元,更力证其水准受到业内认可。

    韩国电影振兴委员会表示,在电影部门选送的10部候选作品中,有4部都给评委们留下了深刻的印象,它们分别是《海雾》、《走到最后》、《道熙呀》和《韩公主》。《走到最后》在具备艺术水准的同时兼顾了商业性,《道熙呀》则在戛纳国际电影节期间便以展露头角。《韩公主》上映较早,在一年的时间当中受到了很多好评,也具备一定的竞争力。但最终,在多伦多电影节收获的上佳评价的《海雾》还是获得了委员会的一致认可,他们相信,《海雾》这类现实题材电影更加能够引起奥斯卡金像奖评委的关注。

    据悉,第87届奥斯卡金像奖最佳外语片最终提名名单将于2015年1月揭晓。

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 楼主| 发表于 2014-9-21 05:14 | 显示全部楼层
本帖最后由 corona0911 于 2014-9-21 05:17 编辑

http://festivekorea.com/chi/programmes_cinema_haemoo

2014 韓國十月文化節
怒海沉輪
日期:2014 年 11 月 16 日(星期日)
時間:下午 4 點日期:2014 年 11 月 29 日(星期六)
時間:下午 4 點
票價:$70

上映地點:STAR Cinema(新界將軍澳港鐵商場 PopCorn 1 樓)

購票:親臨 STAR Cinema 票房購買、MCL 網站購買或使用手機程式購票。

查詢:2418 8841


2014 / 導演:沈聖甫 / 111 分鐘 / 韓語中英文字幕

演員:
金允錫、朴有天

由資深演員金允錫、文成根等人及 JYJ 朴有天主演的電影《怒海沉輪》,上映 6 天後,票房便已突破百萬大關,氣勢驚人!

根據電影振興委員會之電影院入場券合併電算網於 19 日透露,《怒海沉輪》已累積 101 萬 902 位觀眾,而在 18 日也以 7 萬 9139 位觀眾數,榮登週日票房榜第三名。

由國際知名導演奉俊昊擔任製片、沈聖甫執導的《怒海沉輪》,描寫六位船員在汪洋中讓難民們上船後,所經歷的一連串無法挽回的事件。而為了回饋熱情的影迷們,《怒海沉輪》陣容也特地於本日親赴電影院和觀眾們問候。

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 楼主| 发表于 2014-9-22 01:51 | 显示全部楼层
http://www.premiososcar.net/2014 ... uras-en-el-mar.html
'Haemoo', un relato de aventuras en el mar, representará a Corea del Sur
By Daniel MARTINEZ MANTILLA - 20 de septiembre de 2014


'Haemo' es la opción de Corea del Sur para los Oscar de 2015. El relato de aventuras basado en hechos reales y dirigido por Shim Sung-bo compite estos días por la Concha de Oro del Festival de San Sebastián. Días antes pasó por el Festival de Toronto, donde fue recibida con los brazos abiertos por la crítica.

'Haemo' (Sea Fog en su versión internacional) cuenta la historia de un pesquero que decide transportar inmigrantes ilegales para poder conservar sus puestos de trabajo. Su plan se va a pique cuando sufren un trágico accidente al llevar a treinta inmigrantes a través de un mar cubierto de niebla. En medio del caos, el miembro más joven de la tripulación trata de proteger del enloquecido capitán Kang y sus hombres a una joven inmigrante de la que se enamora.

Desde que enviase una representante por primera vez en 1962, Corea del Sur nunca se ha colado en la categoría de mejor película de habla no inglesa. En unos meses veremos si Sung-bo tiene más suerte en su estreno detrás de las cámaras: hasta ahora era conocido por haber escrito el galaradonado guión de 'Memories of Murder'.

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 楼主| 发表于 2014-9-23 00:33 | 显示全部楼层
本帖最后由 corona0911 于 2014-9-23 00:34 编辑

http://www.argia.com/blogak/boli ... /killing-me-softly/

Killing me softly


Arrantza sektorearen dekadentzia, immigrazioa, maitasuna… Eta hildako pila bat. Haemu film korearrak generoko pelikula baten elementuak ditu, baina baita beste zerbait ere.
Barkuarekin lanean segi ahal izateko negozioa “dibertsifikatzea” erabakitzen duen kapitainarekin hasten da dena: tripulazioari esaten dio antxoak ez, gizakiak ekarriko dituztela portura oraingoan, hobeto pagatzen dutela immigranteen garraioagatik.
Eta, nola ez, dena okertu egingo da eta biolentzia espiral geldiezina nagusituko da arrantzontzian.
Korearrek ohituta gauzkate hildako asko eta tomate ibaietara eta horren esperoan pasa dut film osoa. Baina oraingoan gauzak ez dira hain esplizituak eta, horren partez, marinelen eromen progresiboak hartzen du garrantzia.
Generoko filmen zaleek tentsioa falta duela argudiatu dezakete. Eta odol gehiago eskatu. Film mota horren hain zaleak ez direnek berriz (eta klub horretakoa nauzue) eskertu dute gorpu-kostera light hau.

SAIL OFIZIALA
Haemu
Zuzendaria: Shim Sung-bo
Aktoreak: Kim Yoon-seok, Park Yu-chun, Han Ye-ri
Hego Korea
111 minutu

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 楼主| 发表于 2014-9-23 00:36 | 显示全部楼层
本帖最后由 corona0911 于 2014-9-23 00:37 编辑

http://www.filmaffinity.com/es/user/rating/657063/577419.html

Título Sea Fog
Año 2014
País Corea del Sur
Director Shim Sung-bo
Reparto Kim Yoon-seok, Park Yoo-chun
Género Drama | Drama psicológico. Aventuras marinas. Inmigración

Sinopsis
Los intentos de un barco pesquero por transportar inmigrantes ilegales terminan en una catástrofe que llevará a la tripulación a la locura. (FILMAFFINITY)

      
La niebla
22 de Septiembre de 2014

El cine comercial surcoreano se mueve ya por corrientes muy definidas. Lejos estamos de la explosión de primeros de la década pasada donde surgieron obras tan importantes como "Memories of Murder", "Woman in the Beack", "Old Boy", "My Sassy Girl" u "Oasis", pues ya se encuentran en un camino hacia la normalidad: el cine comercial transita por unos sitios muy determinados, al igual que ocurre con el independiente o desarrollado con una finalidad muy concreta: recorrer festivales. Una película como "Haemoo" parecía pues bastante asumida desde un primer momento y sus 30-40 minutos iniciales no dan sorpresa: nos encontramos en un barco pesquero y conocemos a si tripulación, que está a punto de perder su barco debido a que el negocio ha dejado de ser rentable. Para salvar la situación el capitán del barco decide aceptar un encargo: transladar a unos cuantos inmigrantes -ilegales- hasta la costa de su país para recibir a cambio una suma de dinero que le permitiría comprar su barco y poder seguir adelante con su trabajo.

Shim Sung-bo, que debuta con este largometraje (co-escrito y producido por Boon Joon-ho, por cierto), es capaz de escapar de la rutina pasado el tiempo comentado porque demuestra versatilidad. En este primer segmento abusa de la música (remarcados continuos), aboga por la comedia más coreana, en el sentido desafortunado si se me permite decirlo, y parece un poco perdido en una trama que incluso se permite caer en el dramatismo gratuito. La película parecía haberse olvidado de que era coreana, dicho de otra forma. Pero pronto lo recuerda, creando una brecha de forma consciente. Lo que viene después es una verdadera salvajada, y cualquiera que haya visto cine (bestia) de este país podrá entender a lo que me refiero. Su fantástico título internacional, "Sea Fog", funciona a un primer nivel -literal- y a otro puramente metafórico como eso que se cierne sobre el océano y que impide, desde fuera, ver que las cosas no son como parecen.

"Haemoo" cambia pues de registro, de tono y casi, de película. Es otra cosa diferente que sin abandonar la idea/concepto original (la inmigración sigue estando presente, y la intención de salvar ese barco con un trabajo desesperado) amplía horizontes hacia lo visceral. No hay martillos (ya, lo sé, eso puede parecer que la hace 'menos coreana') pero todo tipo de utensilios se pueden utilizar para llegar a un fin en el que desde luego la cosa no va a acabar bien para sus personajes. Decir más es meterme en destripes argumentales y no es mi intención hacer tal cosa, así que simplemente os animo a verla, porque consigue que su giro funcione bien y lleva las cosas todo lo lejos que habríamos querido, incluso incorporando un sentido del humor macabro con un personaje magistral, "Chang-wook". Nombre no azaroso, claro; casi nada de esta película lo es. Todo está ahí por un motivo, y eso es una cualidad que cada vez se hace más rara de ver.

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 楼主| 发表于 2014-9-23 00:38 | 显示全部楼层
http://moveablefest.com/moveable ... sung-bo-haemoo.html

TIFF ’14 REVIEW: SHIM SUNG BO’S “HAEMOO” IS A FORCE OF NATURE

There is intrigue abound well before “Haemoo (Sea Fog)” even begins, the directorial debut of Shim Sung-bo coming a decade after he co-wrote Bong Joon Ho’s breakthrough film “Memories of Murder.” Since then, Shim has been quiet while Bong became one of the world’s most celebrated auteurs with such films as “The Host,” “Mother” and “Snowpiercer,” though the two have reunited for this adaptation of a play based on a real-life incident involving a fishing crew caught smuggling illegal immigrants in international waters, something that arouses even more curiosity once Shim reveals himself to be every bit the accomplished cinemagician that Bong is.

“Haemoo” doesn’t veer far from the taut yet morally ambiguous territory of their first collaboration, setting the action in 1998 just after the IMF crisis economically crippled South Korea where a quartet of fishermen are already having trouble reeling in fish with the Junjin, a dilapidated trawler in need of a significant upgrade. In fact, the ship’s surly captain Kang Chul-joo (Kim Yoon-seok) is so down on his luck that he comes home to find his wife screwing another man, a comic flourish that becomes as much a distinction of Shim’s style as his nonjudgemental eye. Soon enough, the desperate Kang finds himself agreeing to use the boat’s fish hatch to transport a group of 25 dislocated Koreans from China, not informing his crew of his decision to make some extra cash and learning quickly that he is ill-prepared to evade detection by authorities and keep his passengers alive, providing them with just a bowl of instant ramen and some fresh water for the long journey.

The tensions between the crew and the passengers makes “Haemoo” the rare high-seas thriller where the rising tide is the least of anyone’s concerns on the ship, and once a surprise inspection leads to an unthinkable tragedy, the film transforms into a survival tale unlike any other I’ve seen before. Even with a considerable ensemble, Shim is careful to build each of the characters up to make the action matter when disaster strikes and the main crux of the film becomes the relationship between Dong-sik (Park Yu-chun), the youngest member of the crew who risks his life during the transfer of passengers on the open water to save a young woman named Hong-mae (Han Ye-rin) when she falls overboard in a particularly heartrending sequence, then feels responsible for her even after the crew and the keep suddenly are at odds.

Shim Sung-Bo's "Haemoo"Things grow increasingly hazy as the film wears on, a fog literally rolling in as Captain Kang’s desire to reassert control over his ship takes “Haemoo” into increasingly treacherous moral terrain, which Shim handles as deftly as the geography of the action on the Junjin. Although he occasionally hits a wrong note – Chan-wook (Lee Hee-jun), the horndog shiphand whose relentless pursuit of Hong-mae doesn’t quite make the leap from running gag to serious threat that the director would hope – Shim and Bong lay out such a rich array of characters with varying motives and impulses that the film only deepens once they’re called on to nakedly make decisions out of self-preservation. While Park and Han are quite appealing as the young and less corruptible Dong-sik and Hong-mae, the performance from Kim, usually a heavy in such films as “The Yellow Sea,” shows the film’s real depth as the captain whose attempt to put on a brave face as he further compromises himself to make ends meet becomes as tragic as it is fearsome.

Bong’s frequent cinematographer Hong Kyung-pyo also provides a steadying hand, never making “Haemoo” feel claustrophobic as might be the initial instinct of most, but effortlessly moving about the boat, mixing the intimacy of closeups with the grandeur the open water setting entails for the film to feel as big as the stakes it sets up while ultimately telling a small story. Add to that a seat-rocking sound mix and the result is remarkably immersive – as shocking as the end result of “Haemoo” may be, it may be even more amazing that this started life on the stage.

It’s a truly thrilling debut from Shim, who makes one bold choice after another, even when he ends the film with a hint of melancholy after staging such a breathtaking climax, and offers further proof that some of the most exciting filmmaking in the world right now is going on in South Korea.

“Haemoo” does not yet have U.S. distribution. It will next play Fantastic Fest in Austin, Texas on Sept. 24 and the Vancouver Film Fest on October 5th and 7th.

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 楼主| 发表于 2014-9-23 00:38 | 显示全部楼层
http://www.asiared.com/es/notice ... -sebastian-5739.php

"Haemu/Haemoo", del surcoreano Shim Sung-bo, compite en el Festival de San Sebastián

Shim Sung-bo compite en la sección oficial del Festival de Cine de San Sebastián con su primera película como director, "Haemu/Haemoo" (Sea fog), un filme de aventuras marinas basado en hechos reales.

Redacción 18/09/2014

Shim Sung-bo debuta en la dirección con este filme tras destacar como guionista en trabajos tan conocidos y premiados como "Memories of Murder" ("Crónica de un asesino en serie") de Bong Joon-ho.

La tripulación de un pesquero de 69 toneladas decide transportar inmigrantes ilegales para poder conservar sus puestos de trabajo. Su plan se va a pique al sucederles un trágico accidente cuando llevan a treinta inmigrantes a través de un mar cubierto de niebla. En medio del caos, el miembro más joven de la tripulación, Dong-sik, trata de proteger del enloquecido capitán Kang y sus hombres a una joven inmigrante de la que se enamora.

El filme ha sido producido y coescrito por Bong Joon-ho y protagonizado por Kim Yoon-seok, Park Yoo-chun.

El surcoreano Shim Sung-bo es el único director del Asia - Pacífico que compite en la sección oficial de la 62 edición del Festival de San Sebastián que se celebra del 19 al 27 de septiembre.

Hay otra película de producción y temática asiática, "Tigers". Dirigida por el bosnio Danis Tanovic ("En tierra de nadie") que nos lleva a la India para contarnos la historia de un joven vendedor, desolado al descubrir los efectos que provoca un medicamento infantil que ha estado distribuyendo, que se enfrenta a la corporación multinacional que lo fabrica.

Perlas asiáticas en el Festival de San Sebastián

Aunque la presencia del cine asiático es escasa en la sección oficial, el festival nos ofrece la posibilidad de ver algunos títulos que han triunfado en otros festivales en su sección Perlas de otros festivales.

Destaca "Black coal" del realizador chino Diao Yinan, un filme noir que ganó el Oso de Oro a la mejor película en el último Festival de Berlín. También se proyectará el último filme de la japonesa Naomi Kawase, "Still the Water", que fue seleccionado para clausurar la ultima Mostra de Venecia.

La película de animación "The tales of the princess Kaguya", del japonés Isao Takahata, fue estrenada en la Quincena de Realizadores de Cannes.

En la sección Zabaltegui encontramos dos filmes japoneses: Un documental sobre el famoso estudio de animación Ghibli en que la directora Mami Sunada sigue a sus principales responsables, incluido Hayao Miyazaki, durante un año para mostrar su método de trabajo y la película "My man" de Kazuyoshi Kumakiri, que ha ganado en el Festival de Moscú el Premio a la Mejor Película y al Mejor Actor.


La sección Culinary Zinema, que propone unir el cine y la gastronomía, nos ofrece el trabajo del conocido director Wayne Wang, "Soul of banquet", un filme sobre Cecilia Chiang, la mujer que introdujo la auténtica comida china en América.


Además del último trabajo del director de Singapur Eric Khoo, "Recipe" y del japonés Junichi Mori, "Little forest ? summer/autumn".

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 楼主| 发表于 2014-9-23 00:40 | 显示全部楼层
http://variety.com/2014/film/new ... -course-1201310651/

Korea Sets ‘Sea Fog’ on Foreign-Language Oscar Course


SEPTEMBER 22, 2014 | 06:07AM PT
Patrick Frater
Asia Bureau Chief
HONG KONG — South Korea has selected “Sea Fog” (aka ‘Haemoo’) as its contender for the foreign-language Academy Awards race.

The film, directed by Shim Sung-bo, is a largely sea-borne tale of human desperation both on the part of economic refugees and the fishermen turned human smugglers who transport them across unsafe waters.

The selection is made by a specially convened committee organized by the Korean Film Council (KOFIC).

Production was by Lewis Kim with leading director Bong Joon-ho (“Snowpiercer”) as executive producer. International sales are by Finecut.

South Korea has had a huge impact on film-making in Asia in the past two decades, but no Korean film has ever been selected as an Oscar nominee.

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 楼主| 发表于 2014-9-23 00:47 | 显示全部楼层
本帖最后由 corona0911 于 2014-9-23 00:48 编辑

http://atkmagazine.com/2014/09/22/tiff-review-haemoo/

TIFF Review: Haemoo (해무)

Posted by Cindy Zimmer on Sep 22, 2014


Haemoo (해무) was the fourth Korean film to score a spot in the Toronto International Film Festival’s (TIFF) Gala Presentation program, the other’s being last year’s Cold Eyes (감시자들); The Housemaid (하녀) in 2010; and The Good, The Bad, The Weird (좋은 놈, 나쁜 놈, 이상한 놈) in 2008.  

Synopsis
Haemoo is a dark character-driven blockbuster set almost entirely on a fishing boat. Based on a true story from 2001 that inspired a play in 2007, and then adapted into a film which is set in 1998, not long after the IMF financial crisis of 1997. When the crew of a fishing boat comes back to port with less fish then they wanted, the captain decides to smuggle illegal immigrants into Korea from China in order to make more money and keep his boat.
But nothing goes according to plan from the heavy rain during the transfer of the illegals to the coast guard stopping them on their journey. However, it’s not until tragedy strikes that the film really takes a turn for the dark. Added into the mix is a budding romance between the youngest crew member, Dong Sik, and a young female illegal immigrant that he saved after she fell into the ocean and then decided to protect for the remainder of the journey.

My Thoughts
The film starts by quickly giving an indication of the crew member’s and captain’s characters which was interesting. In fact, the first 10-15 minutes or so of the film does such a good job of setting everything up. We not only get a glimpse of the characters and what drives them but it also quickly sets the stage for what’s to come. I might be extrapolating but I’ve started to notice that Korean films are adding little explanations or tidbits to their stories that make them easier for international audiences to understand and follow them.
In Haemoo, it was the mention of IMF and how it was influencing the Korean economy at the time. But I could also be seeing what I want to see as well (I’ve been known to do that). IMF may simply have been to mentioned to explain to all audiences why the captain took on a smuggling gig without making him simply look like a criminal.
Of course it couldn’t be simple smuggling trip involving illegal immigrants (is there such a thing?) so during the transfer from the Chinese ship to the Korean boat, the female lead – Hong Mae played by Han Ye Ri (한예리) – doesn’t make the jump and ends up falling into the ocean. This sets the stage for the youngest member of the crew, Dong Sik played surprisingly well by Park Yoochun (박유천), to rescue her… and fall for her. And that was just the start of the drama.
However, it wasn’t all drama and adversity in this dark, character-driven film. There were some lighter, funny moments as well, including one of the best lines I’ve heard in a while – “It’s just in Korea, girls have many kinds of oppas.” Turns out this line may have been foreshadowing for the ending but again, I may be reaching again.
[Editor's note: "oppa (오빠)" means older brother in Korean and is used by females to reference guys who are older than them but not necessarily their brother as it's also used for friends and boyfriends.]
While the deaths of the illegal immigrants were accidental, it also marks a turning point in the film. Even knowing that the illegal immigrants in the film were going to die (it was based on a true story), it was still a shock to see all the dead bodies when they opened the fish hold. Everyone died except the young girl. But if I thought that was a shock, nothing prepared me for seeing the captain start hacking up the dead bodies. I literally jumped in my seat. It was brutal, in large part because I wasn’t expecting it. The almost casual way most of the crew approached it was hard to watch. That being said, I liked the camera angles during this scene. In fact, the cinematography during the entire film was extremely well done.
I think one of the reasons I liked Haemoo so much was that it kept surprising me. Most of the main characters were at least slightly amoral – I mean, who can comfortably chop up a body, even a dead body, so casually? – except Dong Sik and the engineer, so it was hard to connect with them. But the story, the story rocked – it was dark, compelling and kept me from being complacent. Just when I thought I wasn’t going to be surprised again, something else would happen. And while I didn’t like seeing them chop up the dead bodies (notice I keep mentioning it), that was nothing compared to seeing the captain almost casually kill his engineer – someone he knew and worked with for quite some time.
But I think the biggest surprise was when Hong Mae left Dong Sik on the beach. After all they went through… really?
Yet, of all the Korean films I saw at TIFF, Haemoo inspired the most conversation about its ending. Everyone had a different interpretation of the ending and what it meant. I found it intriguing how many different ways the ending was viewed. As for me, I think the ending can be tied into the “oppa” comment… and she was heading to Korea to be with her boyfriend, not her brother as she said. That she used Dong Sik and was already pregnant (the seasickness) when she started the affair with him for protection.

Final Thoughts
Regardless on how I saw the ending, any film that inspires so much conversation afterwards is a good one in my books. Haemoo is a well-acted, dark, compelling film that will suck you in and not let you go until the final scene. Definitely worth a watch!
Have you seen Haemoo? What did you think of it? How did you see the ending?

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 楼主| 发表于 2014-9-23 01:35 | 显示全部楼层
http://www.fashionmagazine247.co ... n-san-sebastian.php

                               
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'Haemu/ Haemoo' Photo Call in San Sebastian

'Haemu/ Haemoo' Photo Call in San Sebastian In This Photo: Shim Sung-bo Korean director Shim Sung-bo attends the "Haemu" (Haemoo) photocall at the Kursaal Palace during the 62nd San Sebastian Film Festival on September 22, 2014 in San Sebastian, Spain.

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 楼主| 发表于 2014-9-23 01:51 | 显示全部楼层
本帖最后由 corona0911 于 2014-9-23 01:52 编辑

http://www.cinemaldito.com/sea-fog-haemoo-shim-sung-bo/

Sea Fog -Haemoo- (Shim Sung-bo)
Posted: septiembre 22nd, 2014


Después de encadenar varios dramas de marcada y retorcida intensidad, alguno de los cuales regaló sin pretenderlo momentos inolvidables que pertenecen desde ya a la Historia del Festival –hola, Lars von Trier–, la Sección Oficial del Zinemaldia nos ha dejado en la jornada del lunes uno de esos títulos que, por insospechados y gozosos, logran golpear con mayor fuerza en este marco. Coescrita y producida por el pope del cine coreano Bong Joon-ho y dirigida por el novel Shim Sung-bo, Haemoo supone una selección infrecuente para el concurso y también, sin duda, un acierto enorme.

La narración nos sitúa en 1998, en un pueblo pesquero que sufre las consecuencias de la crisis económica que culminó en la intervención del Fondo Monetario Internacional en Corea. La descripción del lugar, inusual para lo que vamos a ver después, parece prepararnos para una extrañísima mezcla entre comedia costumbrista y drama social. Lo que antes era próspero ha dejado de serlo, y para aferrarse a su forma de vida los tripulantes deben aceptar el encargo de traficar inmigrantes. Otra película da comienzo entonces: si algo destaca en Haemoo es su capacidad para consumirse y regenerarse en torno a varios tonos perfectamente captados.

Entre referencias a organismos internacionales y a la exigua situación económica de los protagonistas, que se ven forzados a hacinar a otros que están en un escalón inferior, dos actitudes y reacciones marcadamente opuestas ante el caos destacan entre el resto: la del joven ingenuo Dong-sik, cuyo repentino enamoramiento y actitud paternalista ante él regala los mejores momentos de este primer tramo; y la del capitán Kang, un hombre desesperado y pragmático que desea salvar su barco y encarna a un prototipo de personaje que ya estamos acostumbrados a ver en la cinematografía coreana actual, que no tiembla al deshacerse de la carga innecesaria para sacarse a flote a sí mismo aun cuando ha perdido el rumbo.


Utilizando la perfecta excusa de un liviano thriller bien hilado y con una historia de amor entrañable a su manera, el director sugiere las consecuencias del bache económico, del enfrentamiento entre un poder que quiere mantener a toda costa una forma de vida a la deriva y una juventud excesivamente apegada a lo que posee. A su vez, él mismo parece no decantarse inicialmente entre la cordura o un estallido que, finalmente, se produce. Como dice uno de los personajes en un momento determinado, todos deben estar en el mismo barco; al no darse la circunstancia, la locura aflora y se adueña de la película en una sanísima explosión que no deja de ser coherente con su discurso. Su opción es prescindir de los rodeos e ir al grano, y lo consigue sin descuidar el conjunto.

El brevísimo epílogo parece apelar a la necesidad de reinvención y regeneración de la sociedad, así como a la creación de una conciencia de clase en Corea tras la crisis de finales de los 90. Su función también es rematar un conflicto que lleva a Haemoo a revelarse como un ejercicio de reseñable equilibrio entre la diversión y la sugestión, que no decae en prácticamente dos horas y se ofrece a ser, desde su modestia, una de las pequeñas sorpresas de la temporada.
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