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看看评论吧 ^^
But when you have something as good as 굿바이 솔로 (Goodbye Solo), who needs to worry? Noh Hee-Kyung's magic hits the airwaves once again, bringing back some much needed realism and 사람냄새 (smell of real people) to the weekly ratings war. I'll cover the show in depth when it's over in the usual mammoth review (and this one might really end up MAMMOTH, as it gives you so much food for thought I could write a book about it, after just a half dozen episodes), but just one example to show how good this writer is. Just one name: Kim Min-Hee. Just the fact she's been able to transform one of the most annoying actresses in Korea into a character you can relate to in some way is an incredible achievement. Of course Kim hasn't really improved as much as the Korean press would like you to think, but her character is not one of those Princesses from Bizarro World she played in the past, which is forcing her to come up with other tactics other than mugging the camera 24/7. And don't get me started on Na Moon-Hee. Think she was brilliant in 장밋빛 인생 (Life in Pink) and 주먹이 운다 (Crying Fist)? Watch this. Disarmingly affecting, feeling real without becoming super-bleak (yet, that is) like Noh's past works, 'Goodbye Solo' is already knocking at 신돈 (Shin Don)'s door for best show of the year. With Kim Soo-Hyun disappointing with her 사랑과 야망 (Love and Ambition), and all the big guns in the Sageuk world ready to start their engines, now all we need is In Jung-Ok's new Drama, and the world will be a better place. At least on TV...
from X @ twitch
目前来说,这出剧是现在播映中最好的了,不知道印正玉的什么时候出? |
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