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发表于 2015-3-27 02:05
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本帖最后由 corona0911 于 2015-3-27 02:21 编辑
http://twitchfilm.com/2015/03/nd ... helm-on-haemoo.html
ND/NF Interview: Shim Sung-bo Talks About Taking The Helm On HAEMOO
A box office hit in its native Korea, Shim Sung-bo's directorial debut, HAEMOO {Sea Fog} made its New York premiere at Lincoln Center's New Directors/New Films Festival. Regarded for his screenwriting collaboration with Bong Joon-ho on the now-classic, Memories of Murder, Shim spoke with us about what it took to direct this first feature, having Bong as his producer, and casting one of Korea's top idols.
The Lady Miz Diva: When you spoke of Bong Joon-ho before we began our interview, you called him your boss. What is it like to work with him as the producer of HAEMOO, since you have been writing partners for so long?
Shim Sung-bo: It was like a big umbrella for me, definitely. For example, the character of Chang-wook would not have been possible if Bong Joon-ho had not been present. So, that's just one of a lot of examples.
LMD: Was he supportive and encouraging when you decided to direct your first feature?
SSb: There really is not a defined line in Korea between an assistant director and a screenwriter. So, one way of becoming a director is going through the position of scriptwriter. It's just that in my case it took a little longer than some others, but that's also how complicated the development the Korean movie industry is right now. Like there was this one script that I worked on for really long time that did not get made into a movie, and that was a love story between a man and a woman, and Bong read all the different versions of that script. And I believe that my working on or making that type of a love story would serve me well in directing this type of movie in HAEMOO; I think that's why he recommended that I do this.
LMD: Was the actual experience of directing different than what you had imagined before taking on this film?
SSb: It couldn't be more different. Even when you try to be as detailed and specific in your script, when you actually got to the scene on the set, there would be so many holes, and those holes were mostly filled by the wonderful cast.
LMD: Speaking of the wonderful cast, there's a rather famous pop music idol in your film...
SSb: Ah, {Park} Yoochun?
LMD: Yes. While he has done television dramas, I believe he only made a cameo appearance as himself in a movie years ago, so this is really his first feature acting role. What was it about him that made you feel that this person was going to be my romantic lead?
SSb: I think he was kind of fearless, that was one reason. He really projected this image of a good person, of goodness, and also I got really good vibes from him. And it's not that we have a lot of male actors who are well into their 20s, and Yoochun really wanted to do this role. And you know how if you're an idol, it's extremely difficult for an idol to feel fondness for this type of character.
So, what we believed was, because he would be surrounded by the rest of the cast who are all veterans and amazingly experienced actors; we felt that as long as he could leave his schedule open, so he would have days to shoot together and work with the actors, they would be able to really fill in - that he would really be able to identify and kind of melt into the rest of the actors and be able to do his part just fine. And he was really so into this movie, that except for a few little schedules that he had to do, he really was able to concentrate on this movie. And from the level of his management company, that was a very difficult decision to make.
LMD: The film goes to some very dark places at times, and as Yoochun is such a famous idol, I wonder if there was any pushback or hesitation from himself or his management about portraying some of the darker aspects of the film?
SSb: Not at all.
LMD: Can you talk about working with Mr. Kim Yoon-seok on the role of the captain? He's like a great mixture of Robert Shaw in JAWS and Captain Ahab from MOBY DICK. The captain is always a seething, bubbling cauldron of emotions, but you never know how he's going to blow. What kind of notes did you give Mr. Kim regarding playing this character?
SSb: He and I talked a lot about the scenario. So, after I met him and he signed on, I actually rewrote the script before we began to shoot, and in the rewrite, the keyword was pathos, or pathetic love. And before the rewrite, the version before that actually had the captain becoming almost one with the sea fog and kind of attacking Dong-sik and Hong-mae almost like he was going to eat them up. But during the rewrite, I decided to identify him with the boat - couple him with the boat.
LMD: How does the Captain justify the things he does? Was he just going crazy? Is this the true essence of what it means to be evil? Thinking of that reminded me of MEMORIES OF MURDER, and I wondered if as a writer, you are fascinated by what drives people to the edge of sanity or morality?
SSb: I don't think there is any fully evil person in this movie. We really never talked about it. It was never spoken when we prepared this movie that we would be portraying any evilness.
The responsibility of a captain is to make the most realistic decisions and determinations. It's just that it just happens that each of his choices sort of drove not only him, but other people into this kind of valley, into the swamp of tragedy, like a spiral.
LMD: Watching this film, I couldn't help but be reminded of some similarities - perhaps in the morality of the crew, or the way certain things were handled on the ship with regard to the passengers - to the reports of the terrible Sewol ferry tragedy last year. I wondered if there was any mention of that from the Korean media?
SSb: You know, I didn't even pay any attention to it.
LMD: Now having wet your feet as a director, has it encouraged you to make more films? Would you consider directing a screenplay you didn't write?
SSb: You know, what I really feel is that I do not have the ability to create something from absolutely nothing; so I really believe that I need to meet a great story first. But I would like to do the adaptation myself, and I would like to direct that adaptation myself, as well.
LMD: Do you have anything planned?
SSb: I can't disclose that because we are still getting the rights.
LMD: What do you wish for HAEMOO to bring to international audiences?
SSb: You know, this movie is slated to open in some big markets, and there are some big markets for which this movie has yet to be decided when and whether it will open, but I think just overall, I'm just so encouraged and gratified by the positive reaction. And what really makes me sort of happy and empowers me, is the fact that something that I really like, something that I really feel passionately about, is something that can be identified with. Something that is felt by other people, as well. Especially internationally, and that is just an amazing feeling to know.
http://www.filmosphere.com/movies/haemoo-sim-seong-bo-2014/
https://www.findspire.com/sea.fog.les.clandestins/
http://www.leblogducinema.com/critiques/ffcp-2014-haemoo-42374/
[CRITIQUE] SEA FOG – LES CLANDESTINS
Pierre 5 novembre 2014
Pour l’ouverture de la neuvième édition du Festival du Film Coréen à Paris les festivaliers ont pu découvrir en avant première le drame HAEMOO, dont la sortie en France est prévue pour le 1er avril 2015. Un film qui offre une première mise en bouche de l’une des personnalités à l’honneur de cette édition, l’acteur Kim Yun-seok, en attendant notamment sa master class de jeudi à 18h40. C’est également l’occasion de découvrir Shim Sung-bo à la réalisation, dix ans après l’excellent Memories of Murder (2003) où il officiait, cette fois, comme scénariste. L’acteur et le réalisateur ont reçu une ovation au moment de venir présenter le film. Mérité pour ce film choc qui laissa le public sans voix.
Pour sauver son poste et celui de ses hommes, le capitaine Kang (Kim Yun-seok), à la tête d’un bateau de pêche menacé d’être vendu par son propriétaire, décide de racheter lui-même le navire. En prise à de gros problèmes financiers il se voit dans l’obligation de transporter des clandestins chinois jusqu’en Corée du sud. Tout se passe pour le mieux jusqu’à ce qu’un terrible incident se produise. La traversée se transforme alors en cauchemar pour les passagers.
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© Next Entertainment World
Pour Memories of Murder, Shim Sung-bo coécrit le scénario du film avec Bong Joon-ho qui le réalisa. Pour HAEMOO on retrouve le même duo cette fois inversé. Shim Sung-bo réalise son premier film tandis que Bong Joon-ho se charge de l’écriture (toujours avec Shim Sung-bo). Ensemble ils parviennent à créer une œuvre saisissante. Un drame terrible qui va jusqu’à basculer dans l’horreur.
Sur ce vieux bateau bon pour la casse, on découvre un petit groupe de pêcheurs dont les capacités laissent à désirer. Face aux clandestins ils révèlent rapidement leur incompétence également dans ce domaine, et abordent leur nouveau « métier » de passeur avec une naïveté et une maladresse presque touchantes. Parmi ces clandestins, se trouve la chinoise Hong-mae (Han Ye-ri). La jeune fille se lie d’amitié avec Dong-sik (Park Yoochun), l’un des marins. Sans surprise des sentiments naissent entre eux tandis que des tensions surviennent à bord. Mais le capitaine Kang est là pour maintenir l’ordre, notamment lorsque le film met en avant les rapports complexes entre des chinois, soumis à une grande pauvreté dans leur pays, et des coréens, dont le seul travail possible est de faire venir une main d’œuvre clandestine, un paradoxe.
Malgré une inquiétude grandissante on ne devine pas le terrible drame qui se produit. Un événement inimaginable qui laisse les protagonistes, comme les spectateurs, sous le choc. A cet instant rien n’est plus comme avant sur le navire et la réalisation évolue logiquement. Un épais brouillard fait son apparition. Les personnages sont désormais enfermés, isolés sur la mer dont il est impossible de voir l’horizon. La caméra se resserre sur chaque acteur qui peu à peu sombre dans la solitude ou la folie. On le comprend aussitôt, la plupart ne reviendront pas de cette traversé.
”Avec son scénario incroyable, tiré d’événements réels, le film nous tient en haleine jusqu’au bout”
En introduction du film, Kim Yun-seok rappelait qu’il était particulièrement connu en Corée du Sud pour ses rôles de méchant. On était loin d’imaginer qu’il interpréterait dans HAEMOO un tel monstre. Le personnage qu’il incarne est désabusé par tout ce qui l’entoure. La seule chose à laquelle il se raccroche est son bateau. Pour pouvoir garder son navire et rester avec son équipage qu’il considère comme une famille il accepte de franchir le pas de l’illégalité. Le pauvre homme d’abord pathétique se transforme en un personnage abominable. Ses actes effroyables s’enchaînent crescendo et nous laissent sans voix. Comme le couple d’amoureux, unique témoin de l’attitude du capitaine, le spectateur ne peut qu’être effaré. Ces derniers observent en cachette les événements. Le sentiment d’enfermement développé tout le long du film par son décors (le navire seul en mer) et son intrigue (l’enfermement des clandestins pour les faire traverser sans être attrapé) atteint son paroxysme dans une scène époustouflante où Dong-sik et Hong-mae n’ont d’autres choix que de regarder l’horreur se produire en s’empêchant mutuellement de crier. Par la suite ils extérioriseront leur peur et leur effroi par la passion qui les unit dans une scène torride qui arrive de manière surprenante mais qui dégage une grande puissance.
Avec son scénario incroyable, tiré d’événements réels qu’on ne peut développer davantage, le film nous tient en haleine jusqu’au bout. Si la prestation extrême de Kim Yun-seok était attendue, on retient celle de Park Yoochun qui s’avère être une bonne surprise. Le jeune homme, présenté comme l’un des membres d’un groupe de musique K-pop (pop coréenne), s’impose brillamment.
Avec HAEMOO le Festival du Film Coréen à Paris a démarré de la meilleure des manières. |
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发表于 2015-3-22 15:48
