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发表于 2010-3-14 22:39
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10: In that sense, Dae-gil has a strange child-like side to himself. When it comes to his work, he makes clear judgments about the situation even when he gets shot by a gun. But in other respects, Choi Jan-goon is much more like an adult.
10：这样想来，大吉有奇怪的孩童般的一面。工作上，他能够对现实情况作出清晰的判断，甚至能躲过飞来的子弹。但另一方面，崔将军更像一个成年人。
Jang: That is right. Dae-gil is the leader in terms of work, but Choi Jang-goon is the mental leader. And it is only when Dae-gil has such personality that Choi Jang-goon and Wang-son can each have his own spectrum. It is important to have a feeling of all the different characters mingling with one another. And the saddest part about playing Dae-gil was the scene in the first episode where he sees the drawing of Eon-nyeon by artist Kang. He is drawing a profile sketch of her and it has to be exactly the same as how she looked ten years ago. She has to be a kid, looking exactly the same as Dae-gil last saw her. And even though he doesn't know what do to when he catches the girl, he still loves looking at the drawings. So he carries the picture around and gets another one drawn when it gets old. There is a part of Dae-gil that is consumed with the memories of when he used to a nobleman.
张：是这样的。大吉是任务执行的领导者，而崔将军是精神领袖。也只有这样的大吉，才会有如此的崔将军和王孙，每个角色之间相互关联、互补和融合是十分重要的。对于大吉孩子的一面，我觉得最悲剧的部分是第一集中大吉找画师画言年的那一段。他只是在画一个轮廓，并且是十年前他最后见到的那个还是女孩的言年。甚至，他也不知道就算抓住那个女孩，他能做什么。他能做的只是盯着画像，带着画像走遍八道，等它旧了就找人画新的。这个部分事实上还是反映出大吉依然执着在对往昔的回忆中。
10: Then can Dae-gil go on to the next phase after he catches Eon-nyeon? It seems like Dae-gil's life has stopped at the point when he parted with Eon-nyeon.
10：在找到言年后，大吉是不是会走入人生的新篇章？大吉的人生似乎停在了他与言年分开的那一刻。
Jang: That is a little different. In my perspective, I think "The Slave Hunters" is a drama about Lee Dae-gil growing up. People keep growing even when they become adults, but in Dae-gil's case, I see it as a growth in the way he communicates. Dae-gil is still immature and cannot communicate well with others, but I think he is changing, little by little, by interacting with Tae-ha and many other people. The way he changes isn't like he is simply desolate, sad or sick but all the emotions get built up. So I think Dae-gil is gradually changing, little by little.
张：我的看法有一点不同。在我看来，《推奴》是一个关于李大吉成长的故事。就算成人后，人们也不断在成长，李大吉，我看到他成长在沟通方式上。大吉目前仍然不成熟，无法与别人有效地沟通，但他在改变，一点一点地，因为太和和其他许多人之间的互动。他的改变表现在他的情感不再是单单的绝望、悲愤或病态的，而是所有情绪的再建。所以我觉得大吉这个角色在渐渐改变，一点一滴间。
10: In order to dig deep into the inner aspects of your character like that, it must be essential to analyze the times that he is living in. How did you prepare for that?
10：为了如此深入地剖析自己的角色，你一定花了必要的时间去分析那个时代。你是如何准备的？
Jang: I read the information with the basic stuff. Like when I did the [SBS historical drama] "Great Ambition", I had studied about the currency and old merchants during that time in order to play a merchant. You have known about such things if you want to improvise. The historical period in "Hunters" is when the Ming Dynasty changes to the Qing Dynasty, and so no wonder it is confusing. From the noblemen's perspective, they had to have people like The Slave Hunters because slave, who were like their real estate property, kept running away. The Slave Hunters were sort of like hired soldiers or detectives during that time. They chase after the footsteps and fight when it is necessary.
张：我查阅了些基本资料。就像我曾出演的《大望》，为了演好一个商人，我研究了当时的货币制度和旧时商人的特点。如果你想要即兴创作，这些是必须要知道的。《推奴》的时代是明朝向清朝过渡的时段，毫无疑问，当时时局动荡。从两班的角度，奴隶就像他们的物品，他们需要推奴，去抓捕逃跑的奴隶。推奴在那个时代好比是现在的雇佣兵或者私家侦探，他们跟踪足迹追捕，在必要的时候出击。 |
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发表于 2010-3-15 02:31
实不相瞒，如果不是laura1997亲把亲的文字翻译挖上来，我都没看到~