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评论说 全J赞李gg的胯味，结局seo woo 很前卫戏剧式的模仿梦露。有趣哦~
http://www.huffingtonpost.com/mi ... and-t_b_579847.html
THE HOUSEMAID * out of **** -- This Korean film begins in a nice fashion, although it's trodding very familiar territory. A wealthy woman well along into her pregnancy hires a new housemaid. The maid, of course, is pretty and a bit overwhelmed by the extremely privileged world she's entered. There's an adorable little girl who behaves with perfect propriety at all times that is her central concern. Oh, there's also a remarkably handsome husband, who must spend most of his work day at the gym based on the fantastic shape he's in. Accustomed to having whatever he wants, we're not surprised when he eyes the maid appreciatively. Perhaps the only twist here is that when he comes on to her, after looking demure and oh so shocked, the maid launches her face into his crotch with abandon and exclaims how much she loves the smell of it. Not exactly a blushing flower. To this point, the film is nicely shot and subtly acted. It soon descends into gothic/soap opera territory that lost me completely with scheming relatives and absurd twists. But nothing, nothing, prepared me -- or anyone -- for the absolute bonkers finale. From a truly over-the-top scene of spontaneous combustion to an avant garde, theatrical coda on an open-air set in a field where the Korean cast spoke in English and one of them reenacted Marilyn Monroe's rendition of "Happy Birthday" for her little girl, it was a jaw-dropper of such epic proportions that The Housemaid immediately became exhibit number one in why you should never leave a film early. |
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发表于 2010-5-18 20:33
